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An all-interval tetrachord is a tetrachord, a collection of four pitch classes, containing all six interval classes.[1] There are only two possible all-interval tetrachords (to within inversion), when expressed in prime form. In set theory notation, these are [0,1,4,6] (4-Z15)[2] and [0,1,3,7] (4-Z29).[3] Their inversions are [0,2,5,6] (4-Z15b) and [0,4,6,7] (4-Z29b).[4] The interval vector for all all-interval tetrachords is [1,1,1,1,1,1].
In the examples below, the tetrachords [0,1,4,6] and [0,1,3,7] are built on E.
ic | notes of [0,1,4,6] built on E | diatonic counterparts |
---|---|---|
1 | E to F | minor 2nd and major 7th |
2 | A♭ to B♭ | major 2nd and minor 7th |
3 | F to A♭ | minor 3rd and major 6th |
4 | E to G♯ | major 3rd and minor 6th |
5 | F to B♭ | perfect 4th and perfect 5th |
6 | E to B♭ | augmented 4th and diminished 5th |
ic | notes of [0,1,3,7] built on E | diatonic counterparts |
---|---|---|
1 | E to F | minor 2nd and major 7th |
2 | F to G | major 2nd and minor 7th |
3 | E to G | minor 3rd and major 6th |
4 | G to B | major 3rd and minor 6th |
5 | E to B | perfect 4th and perfect 5th |
6 | F to B | augmented 4th and diminished 5th |
The unique qualities of the all-interval tetrachord have made it very popular in 20th-century music. Composers including Frank Bridge, Elliott Carter (First String Quartet) and George Perle used it extensively.[citation needed]