William Bradford "Bill" Keith (December 20, 1939 – October 23, 2015) was a five-string banjoist who made a significant contribution to the stylistic development of the instrument. In the 1960s he introduced a variation on the popular "Scruggs style" of banjo playing (an integral element of bluegrass music) which would soon become known as melodic style, or "Keith style". He was inducted into the International Bluegrass Music Hall of Fame in 2015.
Keith's recordings and performances during these nine months with Monroe permanently altered banjo playing, and his style became an important part of the playing styles of many banjoists. After leaving the Bluegrass Boys, he joined the Jim Kweskin Jug Band playing plectrum banjo.[1] He began playing the steel guitar and soon after 1968, worked together with Ian and Sylvia and Jonathan Edwards.[1]
Joe Boyd, who was producing the music for the movie Deliverance, offered Duelling Banjos to Bill, but as Bill was travelling in Europe and wanted to visit a girl in Ireland, he turned it down suggesting Eric Weissberg instead. [4]
Keith made a mechanical contribution to the banjo, as well. He designed a specialized type of banjo tuning peg that facilitates changing quickly from one open tuning to another, while playing. Earlier famed banjoist Earl Scruggs had designed a set of cams which were added to the banjo to perform this task.[citation needed]
Keith's invention made the extra hardware unnecessary, replacing two of the tuning machines already on the banjo — a more elegant solution. Scruggs himself became a partner in the venture for a while, and the product was known as "Scruggs-Keith Tuners". Known today simply as Keith Tuners, they remain the state of the art, and Bill Keith continued to manufacture and market them personally as the primary product of his own company, the Beacon Banjo Company, until his death. Beacon Banjo tuners continue their proud tradition, now in the hands of his son, Martin.[5]
1963 Bill Monroe & his Bluegrass Boys, Deca Session, 20 & 27 Mars 1963 reed. CD 3/4, tracks 1 to 7 in : Bluegrass 1963 Bill Monroe & his Bluegrass Boys, July 1963: Two Days at Newport, And More Bears AMD / ACDAA 25001(CD 2003) (feat. Del McCoury, guitar; Bill Keith, banjo; Billy Baker, fiddle; Ralph Rinzler, Bass, producer)
1963 Bill Monroe & his Bluegrass Boys, Live at Mechanic Hall Acoustic Disc, ACD-59 (CD 2004), (recorded 11 November 1963 by David Grisman; feat. Del McCoury, guitar; Bill Keith, banjo; Joe Stuart, fiddle; Bessie Lee Mauldin, Bass)
1991 Bill Monroe, Blue Grass – 1959–1969, Bear Family Records, BCD 15529 (4CD) (feat. Del McCoury, guitar; Bill Keith, banjo; Kenny Baker, fiddle; Bessie Lee Mauldin, bass; Harry Silverstein, producer)
1964 Red Allen, Frank Wakefield and Kentuckians, The Bluegrass, Folkways Records – FA 2408[6] CD 2004 Smithsonian Folkways Recordings SFW40127[7]
1965 Jim Kweskin & The Jug Band, Jug Band Music, Vanguard VRS-9163, VSD-79163
1966 Jim Kweskin & The Jug Band, See Reverse Side For Title, Vanguard VRS-9234, VSD-79234
1967 Jim Kweskin & The Jug Band, Garden of Joy, Reprise 6266
1969 Blue Velvet Band, Sweet Moments With The Blue Velvet Band Warner Bros. - Seven Arts Records WS 1802 (Bill Keith: Pedal Steel Guitar, member of The Blue Velvet Band, with Richard Greene, Jim Rooney, Eric Weissberg).
1972 Mud Acres, Music Among Friends 1972, Rounder 3001
1963 Bill Keith & Jim Rooney, Philadelphia Folk Festival - 1962 (Volume II) (various artists), Prestige Folklore INT 13072
1966 Gloria Belle, Today I Can Smile/Baby, You Gotta Be Mine single 45 RPM Redwing 16171 (sidemen: Bill Keith (banjo) and Clarence "Tater" Tate (fiddle))
1969 The Bee Gees, Odessa, Polydor Records (UK), Atco Records (US)
1973 Judy CollinsTrue Stories And Other Dreams Elektra EKS-75053 (sidemen: Bill Keith: Pedal Steel Guitar, with Eric Weissberg)
1976 Marcel Dadi And Friends – Country Show Guitar World Records – GW 4 (US release)
1976 Marcel Dadi – Dadi's Pickin' - Lights Up Nashville - Part Two, Cezame – CEZ 1019 (US release, 1977: Nashville Memories, Guitar World Records – GW 6)
1977 Marcel Dadi – Travelin' Man Guitar World Records – GW 5 (US release)
1977 Christian Seguret (fr) With Bluegrass Friends: Bill Keith, Mike Lilly, Wendy Miller, Jean Marie Redon (fr), Jean-Claude Druot, Denis Blanchard – Old Fashioned Love, Cezame – CEZ 1035 (tracks: B3, B4)
1977 Mud Acres: Woodstock Mountains: More Music From Mud Acres, Rounder 3018 (My Love Is But A Lassie Yet, (banjo instrumental quadrille)
Tony Trischka, Pete Wernick, Masters of the 5-String Banjo, Oak Publications, 1988, ISBN9780825602986
Neil V. Rosenberg, Charles K. Wolfep The Music of Bill Monroe, University of Illinois Press, 2007, p. 148-151, discography p. 168 sq. Bill Keith is identified as: "Bradford Keith". ISBN978-0252031212
"Bill Keith" in The Encyclopedia of Country Music, The Ultimate Guide to the Music, ed. by The Country Music Foundation and Paul Kinsbury, Oxford University Press, 1998, p. 276. ISBN978-0195176087