Lively was a member of the Stan Kenton Orchestra from 1941 to 1945. Kenton's orchestra spent the summer of 1941 playing regularly at the Rendezvous Ballroom in Balboa Beach, California.[1] The Kenton Orchestra struggled a bit after its initial success and its Decca recordings were not big sellers. A stint as Bob Hope's backup radio band was an unhappy experience; Les Brown permanently took Kenton's place. By late 1943 with a Capitol Records contract, a popular record in "Eager Beaver", and growing recognition, the Stan Kenton Orchestra was gradually catching on. Its soloists during the war years included Art Pepper, briefly Stan Getz, altoists Boots Mussulli and Bob Lively, and singer Anita O'Day, who starred on Kenton's first big hit, 1944s "And Her Tears Flowed Like Wine." By 1945 the band had evolved quite a bit. Pete Rugolo became the chief arranger (extending Kenton's ideas), Bob Cooper and Vido Musso offered very different tenor styles, and June Christy was Kenton's new singer. Her hits — including "Tampico" and "Across the Alley From the Alamo" — made it possible for Kenton to finance his more ambitious projects. A popular recording of Laura was made, the theme song from the film Laura, starring actress Gene Tierney, and featured the voices of the band. When Kenton disbanded in early 1949, Harry Betts, Art Pepper, Buddy Childers, and Laurindo Almeida were hired by Earle Spencer.
Lively performed with the Earle Spencer Orchestra from 1946 to 1949. Earle formed his band in 1946 after being discharged from the U.S. Navy. The band was based in Los Angeles and was modeled after the progressive sounds of Stan Kenton, Johnny Richards, and Boyd Raeburn. His 1946 band included former Glenn Miller sideman Wilber Schwartz on clarinet and alto sax and Ray Linn, who had played with Tommy Dorsey, on trumpet. Bob Lively played alto saxophone. Spencer disbanded his band in 1952. The band recorded for the Black and White label in 1946 and 1949. Bob Haywood was vocalist for the 1946 band. Toni Aubin (1924–1990)[a] joined Spencer as female vocalist in 1949. She married Howard Phillips who was playing sax (1947–49) in the band. (Bob Lively was also playing in the band.) Toni Aubin recorded "Sunday Afternoon" and other songs with the Spencer orchestra, but also recorded with the Louis Ohls Orchestra[b] out of Arkadelphia, and the Phil Carreon Big Band out of Los Angeles, California.
AFRS One Night Stand CBS Broadcast, Hollywood Palladium, November 28, 1944;[c] This performance was originally released as one record and re-released as an LP in 1981 on Queen-Disc (in Florence, Italy) with two other original releases of live Hollywood Palladium performances from 1944: November 28 (AFRS One Night Stand 474), November 30 (AFRS One Night Stand 447), and December 6 (AFRS Downbeat) OCLC50078984
AFRS One Night Stand 447, Live Hollywood Palladium, November 30, 1944. This performance was originally released as one record and re-released as an LP in 1981 on Queen-Disc (in Florence, Italy) with two other original releases of live Hollywood Palladium performances from 1944: November 28 (AFRS One Night Stand 474), November 30 (AFRS One Night Stand 447), and December 6 (AFRS Downbeat) OCLC50078984
AFRS Jubilee 111, December 5, 1944, re-released 2011 by Sounds of Yester Year Enfield, England and bundled with AFRS Jubilee 156, 231, and 234OCLC769130833
AFRS Downbeat, Live at the Hollywood Palladium December 6, 1944; This performance was originally released as one record and re-released as an LP in 1981 on Queen-Disc (in Florence, Italy) with two other original releases of live Hollywood Palladium performances from 1944: November 28 (AFRS One Night Stand 474), November 30 (AFRS One Night Stand 447), and December 6 (AFRS Downbeat) OCLC50078984
Film Tracks: Universal Film Short: Artistry in Rhythm, Hollywood, December 23 & 24, 1944, released as an LP by Joyce Music Corporation 3003, Zephyrhills, Florida,[e] [198-?] and bundled with two other sessions, July 1943 & December 1945 OCLC14517693
Kenton recording session in Hollywood, January 16, 1945, bundled with the June 28, 1945 recording session, released on 78 rpm, Capital Americana (1945) OCLC781437428
Concert in Jazz, Tops L-1532, February 1949, Los Angeles; reissued by IAJRC[3] as a compilation with other sessions
John Check, Buddy Childers, Jake Gernheim, Jerry Munson (tp), Harry Betts, Harry Forbes, Jimmy Knepper (tb), Bob Lively, Art Pepper (as), Tommy Makagon, Tony Ortega (ts), Howard Phillips (bs), Shannon Fletcher (p), Laurindo Almeida (g), Willie Slater (b), Roy Hall (dms)
^Toni Aubin's maiden name was Maria Antoinette Rubio; later known as Mary Phillips (Howard Ansley Phillips); she had a baby girl in 1951, but gave her for adoption; also has a son, Ian Charles Phillips (born 30 Sep 1949 Los Angeles), whom she raised; she married Jack Stanley Lanning (1923–2000) in 1954.
^The C.P. MacGregor Company was a radio transcription service with a studio based in Hollywood that operated from the 1930s through the 1970s producing for radio, television, and slide films.
^Joyce Music existed from 1975 to 1990; it was owned by Charles Crane Garrod, Jr. (1923–2008), and Joyce T. Garrod (born 1925)