Since the mid-1970s, Caribbean poetry has gained increasing visibility with the publication in Britain and North America of several anthologies.[1] Over the decades the canon has shifted and expanded, drawing both on oral and literary traditions and including more women poets and politically charged works.[2][3][4] Caribbean writers, performance poets, newspaper poets, singer-songwriters have created a popular art form, a poetry heard by audiences all over the world.[5] Caribbean oral poetry shares the vigour of the written tradition.[5]
Derek Walcott's Omeros (1990) is one of the most renowned epic poems of the 20th century and of the Caribbean.[24] The work is divided into seven books containing sixty-four chapters. Most of the poem is composed in a three-line form that is reminiscent of the terza rima form that Dante used for The Divine Comedy. The work, referencing Homer and other characters from the Iliad, refers to Greek, Roman, and American slavery.[25] The narrative arch of the epic takes place on the island of St. Lucia, where Walcott was born and raised, but includes imaginings of ancient Greece and Rome, as well as travels to modern day Lisbon, London, Dublin, Toronto.[26][27]
Giannina Braschi's Empire of Dreams (1988) is a postmodern Caribbean epic composed of six books of poetry that blend elements of eclogues, epigrams, lyrics, prose poem, and manifesto.[28] Braschi's United States of Banana (2011) is a geopolitical tragic-comedy about the fall of the American empire, the liberation of Puerto Rico, and the unification of the Caribbean isles.[29][30] Blending elements of poetry, lyrical essay, and dramatic dialogues, this postmodern epic tackles the subjects of global debt, labour abuse, and environmental crises on the rise.[31]
Anthony Kellman created the Caribbean poetic form Tuk Verse, which incorporates melodic and rhythmic elements of Barbadian indigenous folk music called Tuk. His 2008 book Limestone: An Epic Poem of Barbados is the first published epic poem of Barbados.[32][33]
Paula Burnett, The Penguin Book of Caribbean Verse in English, 1986.
Stewart Brown, Mervyn Morris, Gordon Rohlehr (eds), Voiceprint: An Anthology of Oral and Related Poetry from the Caribbean, 1989.
E. A. Markham, Hinterland: Caribbean Poetry from the West Indies and Britain, Newcastle upon Tyne: Bloodaxe, 1989.
Stewart Brown and Ian McDonald (eds), The Heinemann Book of Caribbean Poetry, 1992.
Anthony Kellman (ed.), Crossing Water: Contemporary Poetry from the English-Speaking Caribbean, NY: Greenfield Review Press, 1992.
Stewart Brown, Mark McWatt (eds), The Oxford Book of Caribbean Verse, 2005.
Lasana M. Sekou (ed.), Where I See The Sun – Contemporary Poetry in St. Martin, 2013.
Lasana M. Sekou (ed.), Where I See The Sun – Contemporary Poetry in Anguilla. St. Martin: House of Nehesi Publishers, 2015.[34]
Lasana M. Sekou (ed.), Where I See the Sun – Contemporary Poetry in The Virgin Islands (Tortola, Virgin Gorda, Anegada, Jost Van Dyke). St. Martin: House of Nehesi Publishers, 2016.[35]
^Edward Baugh, "A History of Poetry", in Albert James Arnold, Julio Rodríguez-Luis, J. Michael Dash (eds), A History of Literature in the Caribbean, Vol 2: English- and Dutch-speaking countries, Amsterdam/Philadelphia: John Benjamins Publishing Company, 1994, pp. 227-282.
^Emilio Jorge Rodríguez, "Oral Tradition and New Literary Canon in Caribbean Poetry", in Albert James Arnold, Julio Rodríguez-Luis, J. Michael Dash (eds), A History of Literature in the Caribbean, Volume 3: Cross-Cultural Studies, Amsterdam/Philadelphia: John Benjamins Publishing Co., 1994, pp. 177-185.
^Taplin, Oliver (1991). "Derek Walcott's 'Omeros' and Derek Walcott's Homer". Arion: A Journal of Humanities and the Classics. 1 (2): 213–226. JSTOR20163475.
^Morrison, James V. (1999). "Homer Travels to the Caribbean: Teaching Walcott's 'Omeros'". The Classical World. 93 (1): 83–99. doi:10.2307/4352373. JSTOR4352373.
^Aldama, Frederick Luis; O'Dwyer, Tess (2020). Poets, Philosophers, Lovers: On the Writings of Giannina Braschi. University of Pittsburgh Press. ISBN978-0-8229-4618-2. OCLC1143649021.[page needed]
^Cruz-Malavé, Arnaldo Manuel (2014). "'Under the Skirt of Liberty': Giannina Braschi Rewrites Empire". American Quarterly. 66 (3): 801–818. doi:10.1353/aq.2014.0042. S2CID144702640.
^Riofrio, John (March 2020). "Falling for debt: Giannina Braschi, the Latinx avant-garde, and financial terrorism in the United States of Banana". Latino Studies. 18 (1): 66–81. doi:10.1057/s41276-019-00239-2. S2CID212759434.