Diana Damrau (German:[diːˈanaˈdamʁaʊ]; born 31 May 1971) is a German soprano who has achieved international fame for her performances, primarily in opera, but also in concert and lieder. She has been successful in coloratura soprano roles since her early career, and gradually proceeded into heavier roles of the 19th-century Italian bel canto repertoire. Her signature roles include the Queen of the Night in The Magic Flute, Zerbinetta in Ariadne auf Naxos, Lucia in Lucia di Lammermoor, and Violetta in La traviata.
Educated at the Hochschule für Musik Würzburg, she had been engaged at the opera companies in Würzburg, Mannheim, and Frankfurt. Since beginning her freelance career in 2002, she has been performing on leading stages frequently, such as the Bavarian State Opera, Vienna State Opera, and Metropolitan Opera, where she appeared in 12 consecutive seasons since her debut in 2005/06. She also leads concert performances with French bass-baritone Nicolas Testé, whom she married in 2010.
After consulting with several doctors, she decided to undergo an alternative therapy without surgery. The treatment lasted about one and a half years.[4] After graduating from music conservatory she worked in Salzburg with Hanna Ludwig.
Since 2002, she embarked a freelance career, and had frequent engagements with the Bavarian State Opera in roles such as Adele in Die Fledermaus, Marzelline in Fidelio, and the Queen of the Night. She took part in the world premiere of Cehra's Der Riese vom Steinfeld in the role of Small Woman in Vienna.[7]
Her engagements in Salzburg consist exclusively of roles in Mozart operas: The Magic Flute (Queen of the Night, 2002), Die Entführung aus dem Serail (Blonde, 2003; Konstanze, 2004), The Marriage of Figaro (Susanna, 2007).[8][9] In the 2006 edition, which celebrated Mozart's 200th anniversary, she played the Queen of the Night in the premiere of Pierre Audi's production of The Magic Flute, and Fauno in Ascanio in Alba.[10][11]
Damrau made her Royal Opera, London debut in January 2003, in David McVicar's new production of The Magic Flute,[12] and then appeared in Arabella (Fiakermilli), Ariadne auf Naxos (Zerbinetta), and the world premiere of Maazel's 1984 in two consecutive seasons.[13][14][15] At the Opera Frankfurt, she sang her first Konstanze in Die Entführung, a role she then repeated in Munich and Salzburg.
In March 2004, she sang the role of Zdenka in Arabella for the first time in Munich.[16] In December 2004, she was invited to sing the title role in Salieri's Europa riconosciuta, conducted by Riccardo Muti, for the reopening of La Scala in Milan.[17]
In 2005, she portrayed Gilda in the premiere of Doris Dörrie's controversial production of Rigoletto in Munich,[18] and later in the year, made her Metropolitan Opera debut in New York City in the role of Zerbinetta.[19]
Transition, more lyric soprano and bel canto roles
Damrau sang her first Susanna in The Marriage of Figaro in February 2006 at La Scala,[20] and subsequently in Vienna. Apart from Konstanze in a new production co-produced with the Burgtheater,[21] she had been featured at the Vienna State Opera in three consecutive seasons with several other roles.[22] Since her debut in the 2005/06 season, she appeared in consecutive seasons at the Met, where she starred in new productions of The Barber of Seville (Rosina, 2006), Die ägyptische Helena (Aithra, 2007), and Rossini's comic opera Le comte Ory (Countess Adèle, 2011),[23] besides revivals of Die Enführung aus dem Serail, Lucia di Lammermoor (role debut as Lucia), La fille du régiment, Rigoletto, and L'elisir d'amore.
She made Metropolitan Opera history in the 2007/08 season by appearing as both Pamina and the Queen of the Night in different performances of The Magic Flute in the same run, after which she retired from playing the Queen,[24] a role that she had sung in more than 15 productions.
Damrau has furthered her exploration of the bel canto repertoire with highlights including role debut in Elvira in I puritani in Geneva in January 2011,[28] and the title role in Donizetti's Linda di Chamounix at the Liceu.[29] She has since brought her portrayal in Donizetti's Lucia di Lammermoor to Berlin and Vienna. She premiered in a new production of Strauss' Die schweigsame Frau at the 2010 Munich Opera Festival, and portrayed all four heroines in Offenbach's The Tales of Hoffmann in a new production at the Bavarian State Opera premiered in October 2011.[30] In May 2012, she returned to Geneva for Philine in Ambroise Thomas' Mignon. Following the birth of her second child in autumn 2012, Damrau returned to the stage with a new production of Verdi's Rigoletto at the Metropolitan Opera in February 2013; this was followed by her role debut in the title role of Verdi's La traviata in the same house. In October 2013, she sang in the world premiere of Iain Bell's A Harlot's Progress at the Theater an der Wien.[31] In March 2014 she sang in La sonnambula at the Metropolitan Opera.
She debuted in the role of Countess d'Almaviva in the new production of The Marriage of Figaro at La Scala, which premiered on 26 October 2016.[32]
Damrau married French bass-baritone Nicolas Testé in May 2010.[37] They have two sons: Alexander, born in 2010 or 2011, and Colyn, born in 2012.[38][39]
La Scala: Europa riconosciuta* (Europa), The Marriage of Figaro (Susanna), La traviata* (Violetta), Lucia di Lammermoor (Lucia)
Metropolitan Opera: La sonnambula (Amina), La traviata (Violetta), The Magic Flute (Queen of the Night and Pamina), Ariadne auf Naxos (Zerbinetta), Il barbiere di Siviglia* (Rosina), Die ägyptische Helena* (Aithra), Die Entführung aus dem Serail (Konstanze), Lucia di Lammermoor (Lucia), Rigoletto* (Gilda), La fille du régiment (Marie), Le comte Ory* (Adèle), L'elisir d'amore (Adina), Manon (Manon), Les pêcheurs de perles (Leila), Roméo et Juliette (Juliette)
The Royal Opera: The Magic Flute* (Queen of the Night), Arabella* (Fiakermilli), Ariadne auf Naxos (Zerbinetta), 1984* (Gym Instructor / Drunken Woman), Hänsel und Gretel* (Gretel), L'elisir d'amore (Adina), La traviata* (Violetta)
Bavarian State Opera, Munich: Les contes d'Hoffmann* (Olympia/Antonia/Giulietta/Stella), Die schweigsame Frau* (Aminta), The Magic Flute (Queen of the Night), Die Entführung aus dem Serail* (Konstanze), Arabella (Zdenka), Ariadne auf Naxos*(Zerbinetta), Rigoletto* (Gilda), The Marriage of Figaro (Susanna), Der Rosenkavalier (Sophie), Fidelio (Marzelline), Der Freischütz (Ännchen), Die Fledermaus (Adele), Lucia di Lammermoor* (Lucia)
Early recordings include Verdi's canzoni, Mahler's Des Knaben Wunderhorn, and Schumann's Myrthen, Op. 25, with the Telos label and live recordings of her summer 2005 Liederabend at the Salzburg Festival and her summer 2006 Liederabend at the Schubertiade are released on the Orfeo label.