Gwendolyn Willow Wilson (born August 31, 1982) is an American comics writer, prose author, and essayist. Her best-known prose works include the novels Alif the Unseen (2012) and The Bird King (2019). She is best known for relaunching the Ms. Marvel title for Marvel Comics starring a 16-year-old Muslim superhero named Kamala Khan. Her work is most often categorized as magical realism.
Wilson was born on August 31, 1982, in Monmouth County, New Jersey, and grew up in Morganville.[1][2] Wilson lived in the county until she was 12.[3] However, in an interview with Newsrama in 2013, she erroneously said she was born in Morris County and spent the first ten years of her life there.[4] Her parents were atheists who renounced Protestantism in the late 1960s,[1] hence Wilson was not raised in a religious household. Wilson first encountered comics when she read an anti-smoking pamphlet featuring the X-Men in the fifth grade. The characters fascinated her and she began watching the cartoon X-Men every Saturday.[5] Two years later she and her family moved to Boulder, Colorado, where Wilson continued to pursue her interest in comics and other forms of popular culture such as tabletop role-playing games.
After high school, Wilson attended Boston University to pursue a degree in history. During her sophomore year, Wilson began experiencing adrenal problems[6] and the associated discomfort resulted in her studying a number of religions, including Buddhism, Judaism, Christianity, and Islam. After studying Judaism she focused on Islam, which appealed to her because "to become a Muslim is sort of a deal between you and God."[7] The 9/11 terrorist attack set back her religious studies – fearing she had misjudged the religion – but she later resumed her studies.[5]
In 2003, shortly before her graduation, Wilson agreed to teach English in Cairo. During the plane journey, Wilson converted to Islam; claiming she "made peace with God. I called him Allah." According to Butterfly Mosque, upon arrival in Cairo, Wilson secretly practiced Islam but after becoming engaged to an Egyptian she began to practice it more openly.
Wilson's writing career began from her work as a freelance music critic for DigBoston.[8] After moving to Cairo, she contributed articles to the Atlantic Monthly, The New York Times Magazine, and the National Post.[9] She was also a regular contributor to the now-defunct Egyptian opposition weekly Cairo Magazine. Wilson was the first Western journalist to be granted a private interview with Ali Gomaa after his promotion to the position of Grand Mufti of Egypt.[10] Additionally, Wilson released a memoir titled The Butterfly Mosque about life in Egypt during the Mubarak regime, which was named a Seattle Times Best Book of 2010.[8]
Wilson then wrote Mystic (2011), a four-issue miniseries for Marvel Comics with art by David Lopez. Although a CrossGen revival, Willow's Mystic bears little resemblance to its previous incarnation.
Her debut novel Alif the Unseen (Grove/Atlantic) won the 2013 World Fantasy Award for best novel.[23][24][25]
In November 2018, Wilson began writing Wonder Woman from DC Comics. The character battles Ares in an arc entitled "The Just War."[26]
Her March 2019 novel, The Bird King,[27] tells the story of Fatima, a concubine in the royal court of Granada, the last emirate of Muslim Spain, and her dearest friend Hassan, the palace mapmaker. Hassan has a secret: he can draw maps of places he's never seen and bend the shape of reality.
In 2020, she was writing The Dreaming from DC Comics, with art by Nick Robles and starting with issue #19.[28] The series is part of The Sandman Universe.
Wilson had already had a few forays into the comic book industry, having worked on titles such as Superman and Vixen previously.[29][30] She received an email for an interview with David Gabriel, a senior vice-president at Marvel Entertainment.[1] By that point Wilson was almost finished with her second novel, but she took the time to speak with him. Shortly thereafter she was offered the opportunity to co-create a new version of Ms. Marvel named Kamala Khan alongside Sana Amanat, a director and editor at Marvel Entertainment. The process of crafting Kamala was detailed; both artists wished to create a teenage Muslim American girl. Before settling on her Pakistani heritage the two debated the idea of making her a Somali American girl.[31] While creating Kamala as a character the duo expected negativity, not just from people who were anti-Muslim, but also from Muslims who believed Kamala should be portrayed in a certain way.[32] The crafting also focused on smaller details: Wilson did not believe Kamala should wear a hijab due to a majority of teenage Muslim American girls not wearing them.[31] Despite their initial fears, Kamala was received positively. Some sources described her as easy to relate to, even likening her to a modern-day Peter Parker.[33][34] Others even viewed Kamala as a symbol for equality and representation among different religions.[35]
^Wilson, G. Willow (June 20, 2010). "Beneath the veil". Boston.com (Interview). Interviewed by Ideas. Seattle. Written by Lisa Wangsness. Archived from the original on September 3, 2019. Retrieved November 28, 2017.