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Giovanni Antonio Boltraffio

Madonna and Child (Museum of Fine Arts, Budapest)

Giovanni Antonio Boltraffio (or Beltraffio) (1466 or 1467[1] – 1516) was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci.[2] Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan.

Paintings

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Giovanni Antonio Boltraffio, Portrait of a Boy as Saint Sebastian

His major painting of the 1490s is the Resurrection (painted with fellow da Vinci pupil Marco d'Oggiono and now in the Gemäldegalerie, Berlin). A Madonna and Child in the Museo Poldi Pezzoli of Milan, is one of the high points of the Lombard Quattrocento.

His portraits, often in profile, and his half-length renderings of the Madonna and Child are Leonardesque in conception, though the clean hard edges of his outlines lack Leonardo's sfumato.

In Bologna, where he remained in 1500-1502, he found sympathetic patrons in the Casio family, of whom he painted several portraits and for whom he produced his masterwork, the Pala Casio for the Church of the Misericordia (Louvre Museum); it depicts a Madonna and Child with John the Baptist and Saint Sebastian and two Kneeling Donors, Giacomo Marchione de' Pandolfi da Casio and his son, the Bolognese poet Girolamo Casio,[3] who mentioned Boltraffio in some of his sonnets. Boltraffio's portrait of Girolamo Casio is at the Pinacoteca di Brera, Milan. His Portrait of a Man in Profile is in the National Gallery, London.

The standard monograph is Maria Teresa Fiorio, Giovanni Antonio Boltraffio: Un pittore milanese nel lume di Leonardo. (Milan and Rome) 2000.

Selected works with disputed attribution

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A portrait probably depicting Girolamo Casio
Salvator Mundi, c.1500, after restoration

Notes

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  1. ^ According to his tombstone he was 49 at his death in 1516.
  2. ^ Leonardo records a "Gian Antonio" in his studio in 1491.
  3. ^ Girolamo Casio (1464-1533)
  4. ^ Mack p. 137
  5. ^ "ImageBase". search.famsf.org:8080. Archived from the original on 29 September 2007. Retrieved 19 April 2022.
  6. ^ "The Virgin and Child | Art UK". artuk.org.
  7. ^ "Platonic receptacles, Leonardo and the Salvator Mundi". 3 Pipe Problem. 2011-09-18. Retrieved 2019-04-22.
  8. ^ "Salvator Mundi – Newly Attributed da Vinci Painting". Arthistory.about.com. Archived from the original on 13 October 2016. Retrieved 16 November 2017.
  9. ^ Pogrebin, Robin; Reyburn, Scott (15 November 2017). "Leonardo da Vinci Painting Sells for $450.3 Million, Shattering Auction Highs". The New York Times. Retrieved 16 November 2017.
  10. ^ Solly, Meilan (9 August 2018). "Historian Asserts That Leonardo's Assistant Painted Majority of 'Salvator Mundi'". www.smithsonianmag.com.
  11. ^ "Leonardo da Vinci expert declines to back Salvator Mundi as his painting, Dr Carmen Bambach believes the polymath likely only did small retouchings to the work". theguardian.com. 2 June 2019.

References

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