Born in Kyoto, Miyagawa was taken with sumi-e Chinese ink painting from the age of eleven and began to sell his work as an illustrator while a teenager.[1][2] He became interested in the cinema during the 1920s, particularly admiring the German Expressionist silents. He joined the Nikkatsu film company in 1926 after graduating from Kyoto Commercial School.[3][4] He began as a laboratory technician before becoming an assistant cameraman.[2] Miyagawa cited the cinematography of Eiji Tsuburaya, Hiromitsu Karasawa [ja] and Kenzo Sakai as an influence on his career.[5]
Miyagawa is best known for his tracking shots, particularly those in Rashomon (1950), the first of his collaborations with filmmaker Akira Kurosawa. Other films with Kurosawa include Yojimbo (1961) and initial preparations for Kagemusha (1980).[4] He also worked on multiple films directed by Kenji Mizoguchi, including Ugetsu (1953). Still, only on a single Yasujirō Ozu production, Floating Weeds (1959).[2] He oversaw 164 cameramen for Kon Ichikawa's Tokyo Olympiad (1965), a documentary which necessitated the development of new exposure meters and viewfinders.[4] Earlier, he had worked with Ichikawa on the drama films, Enjō ("The Temple of the Golden Pavilion", 1958), Odd Obsession (aka, The Key, 1959) and The Broken Commandment (1962).[1]
Miyagawa worked with Masahiro Shinoda in the 1980s, and at the end of his life was supervising the director's Owls' Castle ("Fukuro no Shiro"/"Castle of Owls", 1999).[1]
Miyagawa is considered the inventor of the cinematographic technique known as bleach bypass, for Ichikawa's film Her Brother (1960).[6][7][8]
^ abcBergan, Ronald (August 20, 1999). "Kazuo Miyagawa". The Guardian. London. Retrieved May 14, 2019.
^Watanabe, Hiroshi (December 10, 1997). 映像を彫る 改訂版撮影監督宮川一夫の世界 [Carving Pictures: The World of Kazuo Miyagawa, Director of Photography, Revised Edition] (in Japanese). Pandora. p. 55. ISBN978-4768477830.