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The following is a list of films belonging to the neo-noir genre. Following a common convention of associating the 1940s and 1950s with film noir, the list takes 1960 to date the beginning of the genre.
Film | Director | Year | Country | Ref(s). |
---|---|---|---|---|
10 Rillington Place | Richard Fleischer | 1971 | United Kingdom | [8] |
99 and 44/100% Dead | John Frankenheimer | 1974 | United States | [42] |
Across 110th Street | Barry Shear | 1972 | United States | [1] |
All the President's Men | Alan J. Pakula | 1976 | United States | [1] |
The American Friend | Wim Wenders | 1977 | West Germany | [13] |
...And Justice for All. | Norman Jewison | 1979 | United States | [8] |
The Anderson Tapes | Sidney Lumet | 1971 | United States | [1] |
Assault on Precinct 13 | John Carpenter | 1976 | United States | [8] |
Badge 373 | Howard W. Koch | 1973 | United States | [8] |
Badlands | Terrence Malick | 1973 | United States | [27] |
The Big Fix | Jeremy Kagan | 1978 | United States | [53] |
The Big Sleep | Michael Winner | 1978 | United Kingdom, United States | [8] |
The Bird with the Crystal Plumage | Dario Argento | 1970 | Italy | [13] |
The Black Bird | David Giler | 1975 | United States | [53] |
Black Eye | Jack Arnold | 1974 | United States | [8] |
Black Gunn | Robert Hartford-Davis | 1972 | United States | [8] |
Black Sunday | John Frankenheimer | 1977 | United States | [53] |
Blue Collar | Paul Schrader | 1978 | United States | [54] |
Le Boucher | Claude Chabrol | 1970 | France | [18] |
Bring Me the Head of Alfredo Garcia | Sam Peckinpah | 1974 | United States, Mexico | [55] |
The Brink's Job | William Friedkin | 1978 | United States | [56] |
Buster and Billie | Daniel Petrie | 1974 | United States | [8] |
Capricorn One | Peter Hyams | 1977 | United States | [56] |
Le Cercle Rouge | Jean-Pierre Melville | 1970 | France/Italy | [57] |
The Champ | Franco Zeffirelli | 1979 | United States | [56] |
Chandler | Paul Magwood | 1971 | United States | [8] |
Charley Varrick | Don Siegel | 1973 | United States | [27] |
The China Syndrome | James Bridges | 1979 | United States | [8] |
Chinatown | Roman Polanski | 1974 | United States | [8] |
The Choirboys | Robert Aldrich | 1977 | United States | [56] |
Coffy | Jack Hill | 1973 | United States | [56] |
The Conversation | Francis Ford Coppola | 1974 | United States | [8] |
Cool Breeze | Barry Pollack | 1972 | United States | [56] |
Cotton Comes to Harlem | Ossie Davis | 1970 | United States | [23][58][59] |
Cuba | Richard Lester | 1979 | United States | [8] |
Deadly Strangers | Sidney Hayers | 1975 | United Kingdom | [24] |
Death Wish | Michael Winner | 1974 | United States | [8] |
Detroit 9000 | Arthur Marks | 1973 | United States | [23] |
Dirty Harry | Don Siegel | 1971 | United States | [8] |
Dog Day Afternoon | Sidney Lumet | 1975 | United States | [8] |
The Domino Principle | Stanley Kramer | 1977 | United States | [60] |
The Driver | Walter Hill | 1978 | United States | [8] |
The Drowning Pool | Stuart Rosenberg | 1975 | United States | [8] |
Endless Night | Sidney Gilliat | 1972 | United Kingdom | [24] |
The Enforcer | James Fargo | 1976 | United States | [8] |
Escape to Nowhere | Claude Pinoteau | 1973 | France | [8] |
The Executioner | Sam Wanamaker | 1970 | United Kingdom | [8] |
Executive Action | David Miller | 1973 | United States | [60] |
Eyes of Laura Mars | Irvin Kershner | 1978 | United States | [60] |
Farewell, My Lovely | Dick Richards | 1975 | United States | [8] |
Fat City | John Huston | 1972 | United States | [60] |
Fingers | James Toback | 1978 | United States | [60] |
The First Great Train Robbery | Michael Crichton | 1978 | United Kingdom | [8] |
F.I.S.T | Norman Jewison | 1978 | United States | [8] |
Foxy Brown | Jack Hill | 1974 | United States | [61] |
Framed | Phil Karlson | 1975 | United States | [61] |
The French Connection | William Friedkin | 1971 | United States | [8] |
French Connection II | John Frankenheimer | 1975 | United States | [8] |
Frenzy | Alfred Hitchcock | 1972 | United Kingdom | [24] |
Friday Foster | Arthur Marks | 1975 | United States | [61] |
The Friends of Eddie Coyle | Peter Yates | 1973 | United States | [8] |
The Fury | Brian De Palma | 1978 | United States | [61] |
The Gauntlet | Clint Eastwood | 1977 | United States | [61] |
Get Carter | Mike Hodges | 1971 | United Kingdom | [13][14] |
The Getaway | Sam Peckinpah | 1972 | United States | [27] |
Going Home | Herbert B. Leonard | 1971 | United States | [61] |
The Grissom Gang | Robert Aldrich | 1971 | United States | [61] |
The Groundstar Conspiracy | Lamont Johnson | 1972 | United States | [61] |
Gumshoe | Stephen Frears | 1971 | United Kingdom | [62] |
Hard Times | Walter Hill | 1975 | United States | [8] |
Hardcore | Paul Schrader | 1979 | United States | [8] |
Hell Up in Harlem | Larry Cohen | 1973 | United States | [27] |
Hickey & Boggs | Robert Culp | 1972 | United States | [8] |
Hit Man | George Armitage | 1972 | United States | [32] |
The "Human" Factor | Edward Dmytryk | 1975 | United States | [32] |
The Human Factor | Otto Preminger | 1979 | United Kingdom | [8] |
Hustle | Robert Aldrich | 1975 | United States | [8] |
I... comme Icare | Henri Verneuil | 1979 | France | [8] |
I Walk the Line | John Frankenheimer | 1970 | United States | [32] |
Jaguar | Lino Brocka | 1979 | Philippines | [8] |
The Killer Inside Me | Burt Kennedy | 1976 | United States | [8] |
The Killing of a Chinese Bookie | John Cassavetes | 1976 | United States | [8] |
Klute | Alan J. Pakula | 1971 | United States | [8] |
The Kremlin Letter | John Huston | 1970 | United States | [8] |
Last Embrace | Jonathan Demme | 1979 | United States | [8] |
The Last of Sheila | Herbert Ross | 1973 | United States | [8] |
The Late Show | Robert Benton | 1977 | United States | [63] |
The Liberation of L.B. Jones | William Wyler | 1970 | United States | [8] |
The Long Goodbye | Robert Altman | 1973 | United States | [8] |
The Looking Glass War | Frank Pierson | 1970 | United Kingdom | [24] |
The MacKintosh Man | John Huston | 1973 | United Kingdom | [8] |
Magnum Force | Ted Post | 1973 | United States | [37] |
Manila in the Claws of Light | Lino Brocka | 1975 | Philippines | [8] |
Mean Streets | Martin Scorsese | 1973 | United States | [37] |
Midnight Express | Alan Parker | 1978 | United States | [37] |
The Midnight Man | Roland Kibbee and Burt Lancaster | 1974 | United States | [28] |
Mikey and Nicky | Elaine May | 1976 | United States | [64] |
Money Movers | Bruce Beresford | 1978 | Australia | [65] |
The New Centurions | Richard Fleischer | 1972 | United States | [8] |
The Nickel Ride | Robert Mulligan | 1974 | United States | [8] |
Night Moves | Arthur Penn | 1975 | United States | [8][58][59] |
Obsession | Brian De Palma | 1976 | United States | [42] |
The Offence | Sidney Lumet | 1972 | United Kingdom | [24] |
The One Man Jury | Charles Martin | 1978 | United States | [42] |
The Onion Field | Harold Becker | 1979 | United States | [8] |
The Organization | Don Medford | 1971 | United States | [42] |
The Outfit | John Flynn | 1973 | United States | [8] |
The Parallax View | Alan J. Pakula | 1974 | United States | [42] |
The Passenger | Michelangelo Antonioni | 1975 | Italy, France, Spain | [8] |
Performance | Nicolas Roeg | 1970 | United Kingdom | [13][14] |
Play Misty for Me | Clint Eastwood | 1971 | United States | [27] |
Prime Cut | Michael Ritchie | 1972 | United States | [31] |
Pulp | Mike Hodges | 1972 | United Kingdom | [24] |
Rage | George C. Scott | 1972 | United States | [8] |
Remember My Name | Alan Rudolph | 1978 | United States | [66] |
Rider on the Rain | René Clément | 1970 | France | [21] |
Rolling Thunder | John Flynn | 1977 | United States | [8] |
The Seduction of Joe Tynan | Jerry Schatzberg | 1979 | United States | [8] |
Série noire | Alain Corneau | 1979 | France | [13] |
Serpico | Sidney Lumet | 1973 | United States | [8] |
Seven | Andy Sidaris | 1979 | United States | [8] |
Shaft | Gordon Parks | 1971 | United States | [8] |
Shamus | Buzz Kulik | 1973 | United States | [67] |
Sheba, Baby | William Girdler | 1975 | United States | [67] |
The Silent Partner | Daryl Duke | 1978 | Canada | [68] |
Sisters | Brian De Palma | 1973 | United States | [67] |
Sitting Target | Douglas Hickox | 1972 | United Kingdom | [45] |
Sorcerer | William Friedkin | 1977 | United States, Mexico | [8] |
Soylent Green | Richard Fleischer | 1973 | United States | [67] |
Special Delivery | Paul Wendkos | 1976 | United States | [8] |
The Stone Killer | Michael Winner | 1973 | United States | [8] |
Straight Time | Ulu Grosbard | 1978 | United States | [67] |
Super Fly | Gordon Parks Jr. | 1972 | United States | [67] |
Sweet Sweetback's Baadasssss Song | Melvin Van Peebles | 1971 | United States | [51] |
The Take | Robert Hartford-Davis | 1974 | United States | [8] |
The Taking of Pelham One Two Three | Joseph Sargent | 1974 | United States | [51] |
Taxi Driver | Martin Scorsese | 1976 | United States | [8] |
They Call Me Mister Tibbs! | Gordon Douglas | 1970 | United States | [34] |
Thieves Like Us | Robert Altman | 1974 | United States | [8] |
Twilight's Last Gleaming | Robert Aldrich | 1977 | United States | [51] |
Vanishing Point | Richard C. Sarafian | 1971 | United States | [69] |
Villain | Michael Tuchner | 1971 | United Kingdom | [45] |
Walking Tall | Phil Karlson | 1973 | United States | [69] |
White Line Fever | Jonathan Kaplan | 1975 | Canada, United States | [8] |
Winter Kills | William Richert | 1979 | United States | [69] |
The Yakuza | Sydney Pollack | 1974 | United States | [69] |
Film | Director | Year | Country | Ref(s). |
---|---|---|---|---|
12 Monkeys | Terry Gilliam | 1995 | United States | [85] |
Affliction | Paul Schrader | 1997 | United States | [1] |
After Dark, My Sweet | James Foley | 1990 | United States | [8] |
Arlington Road | Mark Pellington | 1999 | United States | [8] |
Bad Influence | Curtis Hanson | 1990 | United States | [27] |
Bad Lieutenant | Abel Ferrara | 1992 | United States | [1] |
Basic Instinct | Paul Verhoeven | 1992 | United States | [8] |
Batman Returns | Tim Burton | 1992 | United States | [27] |
Batman: Mask of the Phantasm | Bruce Timm | 1993 | United States | [27] |
Belly | Hype Williams | 1998 | United States | [86] |
Best Laid Plans | Mike Barker | 1999 | United States | [53] |
The Big Lebowski | Joel and Ethan Coen | 1998 | United States, United Kingdom | [87] |
Blink | Michael Apted | 1994 | United States | [27] |
Blood and Wine | Bob Rafelson | 1996 | United States | [88] |
Blue Steel | Kathryn Bigelow | 1990 | United States | [89] |
Bound | Lana and Lilly Wachowski | 1996 | United States | [27] |
Boys Don't Cry | Kimberly Peirce | 1999 | United States | [8] |
Bugsy | Barry Levinson | 1991 | United States | [8] |
Cape Fear | Martin Scorsese | 1991 | United States | [8] |
Carlito's Way | Brian De Palma | 1993 | United States | [90] |
La Cérémonie | Claude Chabrol | 1995 | France | [26] |
China Moon | John Bailey | 1994 | United States | [27] |
Clockers | Spike Lee | 1995 | United States | [91] |
Cop Land | James Mangold | 1997 | United States | [23] |
Croupier | Mike Hodges | 1998 | United Kingdom | [13][14] |
The Crow | Alex Proyas | 1994 | United States | |
Dark City | Alex Proyas | 1998 | United States, Australia | [27] |
Dead Again | Kenneth Branagh | 1991 | United States | [8] |
Dead Presidents | Albert and Allen Hughes | 1995 | United States | [92] |
Deceiver | Jonas Pate and Josh Pate | 1997 | United States | [27] |
Deep Cover | Bill Duke | 1992 | United States | [27] |
Deep Crimson | Arturo Ripstein | 1996 | Mexico | [13] |
Delusion | Carl Colpaert | 1991 | United States | [27] |
Desperate Hours | Michael Cimino | 1990 | United States | [8] |
Devil in a Blue Dress | Carl Franklin | 1995 | United States | [27] |
Diary of a Hitman | Roy London | 1991 | United States | [27] |
Dick Tracy | Warren Beatty | 1990 | United States | [8] |
Donnie Brasco | Mike Newell | 1997 | United States | [8] |
Emma Salazar Case | Jose Javier Reyes | 1991 | Philippines | [8] |
Face/Off | John Woo | 1997 | United States | [14] |
Fallen Angels | Wong Kar-wai | 1995 | Hong Kong | [13] |
Fargo | Joel and Ethan Coen | 1996 | United States, United Kingdom | [13] |
Fear | James Foley | 1996 | United States | [27] |
La Femme Nikita | Luc Besson | 1990 | France/Italy | [13] |
Fight Club | David Fincher | 1999 | United States | [27] |
Final Analysis | Phil Joanou | 1992 | United States | [8] |
Flesh and Bone | Steve Kloves | 1993 | United States | [93] |
Following | Christopher Nolan | 1998 | United Kingdom | [94] |
Foreign Land | Walter Salles and Daniela Thomas | 1996 | Brazil | [13] |
The Game | David Fincher | 1997 | United States | [27] |
Gattaca | Andrew Niccol | 1997 | United States | [95] |
The Getaway | Roger Donaldson | 1994 | United States | [27] |
Ghost Dog: The Way of the Samurai | Jim Jarmusch | 1999 | United States | [96] |
The Glass Shield | Charles Burnett | 1994 | United States | [91] |
Gloria | Sidney Lumet | 1999 | United States | [8] |
The Grifters | Stephen Frears | 1990 | United States | [8] |
Guncrazy | Tamra Davis | 1992 | United States | [27] |
La Haine | Mathieu Kassovitz | 1995 | France | [97] |
Hana-bi | Takeshi Kitano | 1997 | Japan | [98] |
Hard Boiled | John Woo | 1992 | Hong Kong | [79] |
Hard Eight | Paul Thomas Anderson | 1996 | United States | [12] |
Heat | Michael Mann | 1995 | United States | [27] |
Homicide | David Mamet | 1991 | United States | [8] |
The Hot Spot | Dennis Hopper | 1990 | United States | [8] |
Ikaw Naman ang Iiyak | Joel Lamangan | 1996 | Philippines | [8] |
In the Line of Fire | Wolfgang Petersen | 1993 | United States | [8] |
Insomnia | Erik Skjoldbjærg | 1997 | Norway | [99] |
Internal Affairs | Mike Figgis | 1990 | United States | [8] |
Jackie Brown | Quentin Tarantino | 1997 | United States | [27] |
The Kill-Off | Maggie Greenwald | 1990 | United States | [27] |
King of New York | Abel Ferrara | 1990 | United States | [8] |
A Kiss Before Dying | James Dearden | 1991 | United States | [8] |
Kiss of Death | Barbet Schroeder | 1995 | United States | [27] |
Kiss or Kill | Bill Bennett | 1997 | Australia | [13] |
The Krays | Peter Medak | 1990 | United Kingdom | [27] |
L.A. Confidential | Curtis Hanson | 1997 | United States | [12][27] |
The Last Seduction | John Dahl | 1994 | United States | [27] |
Léon: The Professional | Luc Besson | 1994 | France | [13] |
Lethal Weapon 3 | Richard Donner | 1992 | United States | [8] |
Liebestraum | Mike Figgis | 1991 | United States | [27] |
Light Sleeper | Paul Schrader | 1992 | United States | [100] |
The Limey | Steven Soderbergh | 1999 | United States | [27] |
Live Flesh | Pedro Almodóvar | 1997 | Spain | [19] |
Lock, Stock and Two Smoking Barrels | Guy Ritchie | 1998 | United Kingdom | [14] |
Lone Star | John Sayles | 1996 | United States | [101] |
Lord of Illusions | Clive Barker | 1995 | United States | [102] |
Lost Highway | David Lynch | 1997 | United States | [27] |
Love Crimes | Lizzie Borden | 1992 | United States | [27] |
Malice | Harold Becker | 1993 | United States | [8] |
The Matrix | Lana and Lilly Wachowski | 1999 | Australia, United States | [103] |
Menace II Society | Albert and Allen Hughes | 1993 | United States | [92] |
Miami Blues | George Armitage | 1990 | United States | [27] |
Miller's Crossing | Joel and Ethan Coen | 1990 | United States | [8] |
Mulholland Falls | Lee Tamahori | 1996 | United States | [27] |
Narrow Margin | Peter Hyams | 1990 | United States | [27] |
New Jack City | Melvin Van Peebles | 1991 | United States | [27] |
Night and the City | Irwin Winkler | 1992 | United States | [8] |
Night Train | Les Bernstien | 1999 | United States | [104] |
The Ninth Gate | Roman Polanski | 1999 | United States | [12] |
One False Move | Carl Franklin | 1992 | United States | [27] |
Out of Sight | Steven Soderbergh | 1998 | United States | [105] |
Pacific Heights | John Schlesinger | 1990 | United States | [27] |
Palmetto | Volker Schlöndorff | 1998 | United States | [106][107] |
El Patrullero | Alex Cox | 1991 | Mexico | [13] |
Payback | Brian Helgeland | 1999 | United States | [27] |
Pi | Darren Aronofsky | 1998 | United States | [12] |
The Player | Robert Altman | 1992 | United States | [108] |
Point Break | Kathryn Bigelow | 1991 | United States | [109] |
Poison Ivy | Katt Shea | 1992 | United States | [42] |
Poodle Springs | Bob Rafelson | 1998 | United States | [31] |
The Public Eye | Howard Franklin | 1992 | United States | [27] |
Pulp Fiction | Quentin Tarantino | 1994 | United States | [12] |
Pusher | Nicolas Winding Refn | 1996 | Denmark | [5] |
The Rapture | Michael Tolkin | 1991 | United States | [54] |
Red Rock West | John Dahl | 1993 | United States | [8] |
Reservoir Dogs | Quentin Tarantino | 1992 | United States | [8][12] |
Revenge | Tony Scott | 1990 | United States, Mexico | [27] |
Romeo Is Bleeding | Peter Medak | 1993 | United States | [27] |
Ronin | John Frankenheimer | 1998 | United States | [110] |
Rush | Lili Fini Zanuck | 1991 | United States | [27] |
Set It Off | F. Gary Gray | 1994 | United States | [111] |
Seven | David Fincher | 1995 | United States | [27] |
Shallow Grave | Danny Boyle | 1994 | United Kingdom | [14][17] |
Shattered | Wolfgang Petersen | 1991 | United States | [8] |
The Silence of the Lambs | Jonathan Demme | 1991 | United States | [27] |
Simpatico | Matthew Warchus | 1999 | United States | [27] |
A Simple Plan | Sam Raimi | 1998 | United States | [27] |
Sleeping with the Enemy | Joseph Ruben | 1991 | United States | [27] |
Sling Blade | Billy Bob Thornton | 1996 | United States | [112] |
Sonatine | Takeshi Kitano | 1993 | Japan | [83] |
The Spanish Prisoner | David Mamet | 1997 | United States | [67] |
Strange Days | Kathryn Bigelow | 1995 | United States | [54] |
Suture | Scott McGehee and David Siegel | 1993 | United States | [27] |
Swoon | Tom Kalin | 1992 | United States | [101] |
The Talented Mr. Ripley | Anthony Minghella | 1999 | United States | [113] |
The Temp | Tom Holland | 1993 | United States | [114] |
Things to Do in Denver When You're Dead | Gary Fleder | 1995 | United States | [27] |
This World, Then the Fireworks | Michael Oblowitz | 1997 | United States | [51] |
True Romance | Tony Scott | 1993 | United States | [27] |
Twilight | Robert Benton | 1998 | United States | [27] |
Twin Peaks: Fire Walk with Me | David Lynch | 1992 | United States | [51] |
The Two Jakes | Jack Nicholson | 1990 | United States | [8] |
U Turn | Oliver Stone | 1997 | United States | [14] |
The Underneath | Steven Soderbergh | 1995 | United States | [27] |
Unlawful Entry | Jonathan Kaplan | 1992 | United States | [51] |
The Usual Suspects | Bryan Singer | 1995 | United States | [12][27] |
Where the Day Takes You | Marc Rocco | 1992 | United States | [8] |
White Sands | Roger Donaldson | 1992 | United States | [8] |
Wild at Heart | David Lynch | 1990 | United States | [69] |
Wild Things | John McNaughton | 1998 | United States | [8] |
The X-Files | Rob Bowman | 1998 | United States | [12] |
Zero Effect | Jake Kasdan | 1998 | United States | [101] |
Film | Director | Year | Country | Ref(s). |
---|---|---|---|---|
A Land Imagined | Yeo Siew Hua | 2018 | Singapore, France, Netherlands | [138] |
Aa Drushya | Shiva Ganesh | 2019 | India | [139] |
Aake | K. M. Chaitanya | 2017 | India | [140] |
Aaranya Kaandam | Thiagarajan Kumararaja | 2011 | India | [141] |
Alois Nebel | Tomáš Luňák | 2011 | Czech Republic | [142] |
The American | Anton Corbijn | 2010 | United States | [143] |
American Dreamer | Derrick Borte | 2018 | United States | [144] |
Animal Kingdom | David Michôd | 2010 | Australia | [145] |
Anon | Andrew Niccol | 2018 | United Kingdom, United States | [146] |
Anti Matter | Keir Burrows | 2017 | United Kingdom | [147] |
Ash Is Purest White | Jia Zhangke | 2018 | China | [148] |
Asura: The City of Madness | Kim Sung-su | 2016 | South Korea | [149] |
B.A. Pass | Ajay Bahl | 2013 | India | [150] |
Badlapur | Sriram Raghavan | 2015 | India | [151] |
Bad Times at the El Royale | Drew Goddard | 2018 | United States | [152] |
Bad Turn Worse | Zeke and Simon Hawkins | 2014 | United States | [153] |
The Bag Man | David Grovic | 2014 | United States | [154] |
Bastards | Claire Denis | 2013 | France/Germany | [155] |
Black Coal, Thin Ice | Diao Yinan | 2014 | China | [156] |
Blade Runner 2049 | Denis Villeneuve | 2017 | United States | [157] |
Blow the Man Down | Bridget Savage Cole and Danielle Krudy | 2019 | United States | [158] |
Blue Ruin | Jeremy Saulnier | 2014 | United States | [159] |
Bornoporichoy | Mainak Bhowmick | 2019 | India | [160] |
Brawl in Cell Block 99 | S. Craig Zahler | 2017 | United States | [161] |
Brighton Rock | Rowan Joffé | 2011 | United Kingdom | [162] |
Broken City | Allen Hughes | 2013 | United States | [163] |
Burning | Lee Chang-dong | 2018 | South Korea | [164] |
Burning Kiss | Robbie Studsor | 2018 | Australia | [165] |
Cities of Last Things | Ho Wi Ding | 2018 | Taiwan, China, France, United States |
[166] |
Cold in July | Jim Mickle | 2014 | United States | [167] |
Cop Car | Jon Watts | 2015 | United States | [168] |
The Dark Knight Rises | Christopher Nolan | 2012 | United Kingdom, United States | [169] |
Destroyer | Karyn Kusama | 2018 | United States | [170] |
Detour | Christopher Smith | 2016 | United Kingdom, South Africa | [171] |
Disappearance at Clifton Hill | Albert Shin | 2019 | Canada | [172] |
Dragged Across Concrete | S. Craig Zahler | 2018 | United States | [173] |
The Driftless Area | Zachary Sluser | 2016 | United States, Canada | [174] |
Drive | Nicolas Winding Refn | 2011 | United States | [175][176] |
Drum | Keywan Karimi | 2016 | Iran/France | [177] |
Earthquake Bird | Wash Westmoreland | 2019 | United States, United Kingdom | [178] |
Elena | Andrey Zvyagintsev | 2011 | Russia | [110] |
Elle | Paul Verhoeven | 2016 | France/Germany | [110] |
Enemy | Denis Villeneuve | 2013 | United States, United Kingdom | [179] |
Ex Machina | Alex Garland | 2015 | United States, United Kingdom | [180] |
First Reformed | Paul Schrader | 2018 | United States | [181] |
Flatland | Jenna Bass | 2019 | South Africa | [182] |
Frank & Lola | Matthew Ross | 2016 | United States | [183] |
Gangnam Blues | Yoo Ha | 2015 | South Korea | [184] |
Gemini | Aaron Katz | 2018 | United States | [185] |
The Ghost Writer | Roman Polanski | 2010 | United Kingdom, France, Germany | [186] |
The Girl with the Dragon Tattoo | David Fincher | 2011 | United States | [187] |
Glass Chin | Noah Buschel | 2015 | United States | [188] |
Gone Girl | David Fincher | 2014 | United States | [54] |
Good Time | Josh and Benny Safdie | 2017 | United States | [189] |
The Handmaiden | Park Chan-wook | 2016 | South Korea | [54] |
Have a Nice Day | Liu Jian | 2018 | China | [190] |
Hell or High Water | David Mackenzie | 2016 | United States | [54] |
Hold the Dark | Jeremy Saulnier | 2018 | United States | [191] |
Hot Summer Nights | Elijah Bynum | 2018 | United States | [192] |
I Saw the Devil | Kim Jee-woon | 2010 | South Korea | [193] |
In the Shadow | David Ondříček | 2012 | Czech Republic | [142] |
In the Shadow of the Moon | Jim Mickle | 2019 | United States | [194] |
Inception | Christopher Nolan | 2010 | United Kingdom, United States | [195] |
Inherent Vice | Paul Thomas Anderson | 2014 | United States | [196] |
John Wick | Chad Stahelski | 2014 | United States | [197] |
John Wick: Chapter 2 | Chad Stahelski | 2017 | United States | [198] |
John Wick: Chapter 3 – Parabellum | Chad Stahelski | 2019 | United States | [199] |
Josie | Eric England | 2018 | United States | [200] |
Kill Chain | Ken Sanzel | 2019 | United States | [201] |
Kill List | Ben Wheatley | 2011 | United Kingdom | [202] |
The Killer Inside Me | Michael Winterbottom | 2010 | United States | [31] |
Killer Joe | William Friedkin | 2012 | United States | [203] |
Killing Them Softly | Andrew Dominik | 2012 | United States | [204] |
Knives and Skin | Jennifer Reeder | 2019 | United States | [205] |
Let the Corpses Tan | Hélène Cattet and Bruno Forzani | 2017 | Belgium, France | [206] |
Long Day's Journey into Night | Bi Gan | 2018 | China | [207] |
The Looming Storm | Dong Yue | 2017 | China | [208] |
Looper | Rian Johnson | 2012 | United States | [209] |
Lost Angelas | William Wayne | 2019 | United States | [210] |
Lost River | Ryan Gosling | 2014 | United States | [211] |
Magical Girl | Carlos Vermut | 2014 | Spain | [212] |
The Man from Nowhere | Lee Jeong-beom | 2010 | South Korea | [213] |
Man from Reno | Dave Boyle | 2015 | United States | [214] |
Manhattan Night | Brian DeCubellis | 2016 | United States | [215] |
Manila Kingpin: The Asiong Salonga Story | Tikoy Aguiluz | 2011 | Philippines | [54] |
The Merciless | Byun Sung-hyun | 2017 | South Korea | [216] |
Miss Bala | Gerardo Naranjo | 2011 | Mexico | [110] |
A Morass | Shane James Bordas | 2011 | United Kingdom | [217] |
Motherless Brooklyn | Edward Norton | 2019 | United States | [218] |
Mute | Duncan Jones | 2018 | United Kingdom, Germany | [219] |
The Nice Guys | Shane Black | 2016 | United States | [220] |
Nightcrawler | Dan Gilroy | 2014 | United States | [221] |
Night Moves | Kelly Reichardt | 2014 | United States | [222] |
The Nile Hilton Incident | Tarik Saleh | 2017 | Sweden, Egypt, Denmark, Germany | [223] |
Nocturnal Animals | Tom Ford | 2016 | United States | [224] |
No Other Woman | Ruel S. Bayani | 2011 | Philippines | [54] |
Only God Forgives | Nicolas Winding Refn | 2013 | Denmark/France | [225] |
On the Job | Erik Matti | 2013 | Philippines | [54] |
Out of Blue | Carol Morley | 2019 | United States, United Kingdom | [226] |
Outrage | Takeshi Kitano | 2010 | Japan | [227] |
Paradox | Wilson Yip | 2017 | Hong Kong | [228] |
The Persian Connection | Daniel Grove | 2017 | United States | [229] |
Phoenix | Christian Petzold | 2014 | Germany | [54] |
Pickings | Usher Morgan | 2018 | United States | [230] |
Piercing | Nicolas Pesce | 2019 | United States | [231] |
The Place Beyond the Pines | Derek Cianfrance | 2013 | United States | [232][233][234] |
Pocket Listing | Conor Allyn | 2016 | United States | [235] |
The Poison Rose | George Gallo and Francesco Cinquemani | 2019 | United States | [236] |
Polar | Jonas Åkerlund | 2019 | United States, Germany, Canada | [237] |
Prisoners | Denis Villeneuve | 2013 | United States | [238] |
Queen & Slim | Melina Matsoukas | 2019 | United States | [239] |
A Quiet Life | Claudio Cupellini | 2010 | Italy | [240] |
Real | Lee Sa-rang | 2017 | South Korea | [241] |
Richie | Gautham Ramachandran | 2017 | India | [242] |
Rojo | Benjamín Naishtat | 2019 | Argentina | [243] |
Señorita | Isabel Sandoval | 2011 | Philippines | [244] |
Serenity | Steven Knight | 2019 | United States | [245] |
Shanghai | Mikael Håfström | 2010 | United States, China | [246] |
Shutter Island | Martin Scorsese | 2010 | United States | [31] |
Sin Island | Gino M. Santos | 2018 | Philippines | [54] |
Small Town Crime | Esholm and Ian Nelms | 2018 | United States | [247] |
Some Guy Who Kills People | Jack Perez | 2012 | United States | [248] |
Spring Breakers | Harmony Korine | 2012 | United States | [249] |
State Like Sleep | Meredith Danluck | 2019 | United States | [250] |
Strangled | Árpád Sopsits | 2016 | Hungary | [251] |
Sunrise | Partho Sen-Gupta | 2014 | India, France | [252] |
Sweet Virginia | Jamie M. Dagg | 2017 | United States, Canada | [253] |
Taniel | Garo Berberian | 2017 | United Kingdom, Armenia | [254] |
Tattoo of Revenge | Julián Hernández | 2019 | Mexico | [255] |
Terminal | Vaughn Stein | 2018 | Hong Kong, United Kingdom, Ireland, Hungary, United States | [256] |
Thin Ice | Jill Sprecher | 2012 | United States | [257] |
Too Late | Dennis Hauck | 2016 | United States | [258] |
A Touch of Sin | Jia Zhangke | 2013 | China, Japan, France | [259] |
The Town | Ben Affleck | 2010 | United States | [260] |
Traces of Sin | Kei Ishikawa | 2017 | Japan | [261] |
Trance | Danny Boyle | 2013 | United Kingdom | [249] |
Trouble Is My Business | Tom Konkle | 2018 | United States | [262] |
The Trough | Nick Cheung | 2018 | Hong Kong, China | [263] |
Uncut Gems | Josh and Benny Safdie | 2019 | United States | [264] |
Under the Silver Lake | David Robert Mitchell | 2018 | United States | [265] |
Upgrade | Leigh Whannell | 2018 | Australia, United States | [266] |
Victoria | Sebastian Schipper | 2015 | Germany | [267] |
Vikram Vedha | Pushkar–Gayatri | 2017 | India | [268] |
Villain | Lee Sang-il | 2010 | Japan | [269] |
The Villainess | Jung Byung-gil | 2017 | South Korea | [216] |
A Walk Among the Tombstones | Scott Frank | 2014 | United States | [270] |
Walking Too Fast | Radim Špaček | 2010 | Czech Republic | [271] |
The Whistlers | Corneliu Porumboiu | 2019 | Romania, France, Germany | [272] |
Who Killed Cock Robin | Cheng Wei-hao | 2017 | Taiwan | [273][274] |
Widows | Steve McQueen | 2018 | United States | [275] |
The Wild Goose Lake | Diao Yinan | 2019 | China/France | [276] |
Wind River | Taylor Sheridan | 2017 | United States | [277] |
Winter's Bone | Debra Granik | 2010 | United States | [278] |
The Yellow Sea | Na Hong-jin | 2010 | South Korea | [279] |
You Were Never Really Here | Lynne Ramsay | 2017 | United Kingdom, United States, France |
[280] |
Film | Director | Year | Country | Ref(s). |
---|---|---|---|---|
Adverse | Brian Metcalf | 2021 | United States | [281] |
Abang Adik | Jin Ong Lay | 2023 | Malaysia | [282] |
Arishadvarga | Arvind Kamath | 2020 | India | [140] |
The Batman | Matt Reeves | 2022 | United States | [283] |
Brut Force | Eve Symington | 2022 | United States | [284] |
Calm with Horses | Nick Rowland | 2020 | Ireland | [285] |
The Card Counter | Paul Schrader | 2021 | United States | [286] |
City of Love | Èric Boadella | 2023 | United States | [287] |
Decision to Leave | Park Chan-wook | 2022 | South Korea | [288] |
Eileen | William Oldroyd | 2023 | United States, United Kingdom | [289] |
Emily the Criminal | John Patton Ford | 2022 | United States | [290] |
The Empty Man | David Prior | 2020 | United States | [291] |
Femme | Sam H. Freeman and Ng Choon Ping | 2023 | United Kingdom | [292] |
Hand Rolled Cigarette | Kin Long Chan | 2020 | China | [293] |
Hit Man | Richard Linklater | 2023 | United States | [294] |
Holy Spider | Ali Abbasi | 2022 | Germany, France, Denmark, Sweden | [295] |
I'm Your Woman | Julia Hart | 2020 | United States | [296] |
John Wick: Chapter 4 | Chad Stahelski | 2023 | United States | [297] |
Kabadadaari | Pradeep Krishnamoorthy | 2021 | India | [298] |
Kapatadhaari | Pradeep Krishnamoorthy | 2021 | India | [299] |
The Kid Detective | Evan Morgan | 2020 | Canada | [300] |
The Kill Room | Nicol Paone | 2023 | United States | [301] |
The Killer | David Fincher | 2023 | United States | [302] |
Killers of the Flower Moon | Martin Scorsese | 2023 | United States | [303] |
Knox Goes Away | Michael Keaton | 2024 | United States | [304] |
Last Moment of Clarity | James and Colin Krisel | 2020 | United States | [305] |
Last Night in Soho | Edgar Wright | 2021 | United Kingdom | [306] |
The Last Stop in Yuma County | Francis Galluppi | 2024 | United States | [307] |
The Last Victim | Naveen A Chathapuram | 2021 | United States | [308] |
The Lesson | Alice Troughton | 2023 | United Kingdom | [309] |
Limbo | Soi Cheang | 2021 | China, Hong Kong | [310] |
Limbo | Ivan Sen | 2023 | Australia | [311] |
The Little Things | John Lee Hancock | 2021 | United States | [312] |
Longlegs | Oz Perkins | 2024 | United States | [313] |
Love Lies Bleeding | Rose Glass | 2024 | United States, United Kingdom | [314] |
Magpie | Sam Yates | 2024 | United Kingdom | [315] |
Marlowe | Neil Jordan | 2023 | France, Ireland, Spain | [316] |
Master Gardener | Paul Schrader | 2023 | United States | [317] |
MaXXXine | Ti West | 2024 | United States | [318] |
Michael | Ranjit Jeyakodi | 2023 | India | [319] |
Night in Paradise | Park Hoon-jung | 2021 | South Korea | [320] |
Nightmare Alley | Guillermo del Toro | 2021 | United States | [321] |
No Sudden Move | Steven Soderbergh | 2021 | United States | [322] |
Only the River Flows | Wei Shujun | 2023 | China | [323] |
Pamfir | Dmytro Sukholytkyy-Sobchuk | 2022 | Ukraine, Poland, France, Luxembourg | [324] |
Pig | Michael Sarnoski | 2021 | United States | [325] |
Poolman | Chris Pine | 2023 | United States | [326] |
Preparations to Be Together for an Unknown Period of Time | Lili Horvát | 2020 | Hungary | [327] |
Reminiscence | Lisa Joy | 2021 | United States | [328] |
Reptile | Grant Singer | 2023 | United States | [329] |
Sharper | Benjamin Caron | 2023 | United States | [330] |
Spears | Gerard Lough | 2022 | Ireland | [331] |
A State of Madness | Leticia Tonos | 2020 | Dominican Republic | [332] |
Synchronic | Justin Benson and Aaron Moorhead | 2020 | United States | [333] |
Vengeance | B. J. Novak | 2022 | United States | [334] |
The Virtuoso | Nick Stagliano | 2021 | United States | [335] |
The Voyeurs | Michael Mohan | 2022 | United States | [336] |
Wildland | Jeanette Nordahl | 2020 | Denmark | [337] |
Windfall | Charlie McDowell | 2022 | United States | [338] |
Wrath of Man | Guy Ritchie | 2021 | United Kingdom, United States | [339] |
But up until then, "No Mercy" is an above-average film noir, and its creepy feeling for the back streets of New Orleans and the sultry evil of its red-light suburbs got under my skin.
《殺破狼》的精髓,在於其「野」(raw),在於其「黑」(noir),在於其「冷」(cool),缺一不可。(The feature of Paradox is on its raw feeling, of noir, of cool, none of them are not included.)
Sabrina Baracetti, the founder and chairman of the Udinese Far East Film Festival, expressed his thoughts on "Hand-Rolled Cigarette". "It is a pure Hong Kong film noir, representing the Hong Kong film we have loved for more than 20 years!"