A selection of compositions using quarter tones:
 | This list of songs or music-related items is incomplete; you can help by adding missing items. (October 2021) |
A
[edit]- Thomas Adès
- Asyla calls for an upright piano tuned a quarter-tone flat.
B
[edit]- Jan Bach
- János Bali
- Aiolos ajándéka (Gift of Aiolos) for violin, viola da gamba (tuned 1/4 tone lower), harpsichord (upper manual tuned 1/4 tone lower)
- Clarence Barlow
- Hans Barth
- Concerto for Quarter Tone Piano and Quarter Tone Strings (1930)[6]
- Béla Bartók
- String Quartet No. 6; the third movement Burletta contains quarter-tone tuning used for parodistic effect.[7] Quarter tones are also used in Bartók's ballet The Miraculous Mandarin.[8]
- Sonata for Solo Violin; the fourth movement Presto contains quarter-tones, but they are not "structural features."[9] This movement also calls for third-tones.
- Violin Concerto No. 2; the cadenza in the first movement requires the use of quarter-tones, but only as an effect.[10]
- John Beckwith
- Blurred Lines for violin and harpsichord (1997)[11]
- Jack Behrens
- Quarter-Tone Quartet, Op. 20.[12]
- Alban Berg
- Chamber Concerto, for violin, piano, and 13 winds.[13]
- Luciano Berio
- E vó (1972).[14]
- Easley Blackwood Jr.
- Twelve Microtonal Etudes for Electronic Music Media: "24 Notes: Moderato" (1980).[15]
- Ernest Bloch
- Piano Quintet No. 1 (1923); the first movement features use of quarter-tones in the string parts.[16]
- Pierre Boulez
- Polyphonie X (1951).[17]
- Le Visage nuptial (1946).[14]
C
[edit]- Jacob Collier
- In the Bleak Midwinter for 10 Vocalists (2016)[18]
- Julián Carrillo
- Capricho for piano in quarter-tones (1959)[19]
- Capricho for solo viola in quarter-tones (1926)[19]
- Casi-sonatas 1–6 for solo violin, viola or cello in quarter-tones (c.1960s)[19]
- Concertino in quarter-, eighth- and sixteenth-tones for violin, cello and harp with orchestra (1926)[19]
- Concerto for 1/4-tone and 1/8-tone cello and orchestra (1958)[19]
- Concerto No. 1 for quarter-tone violin and orchestra (1963)[19]
- Concerto No. 2 for quarter-tone violin and orchestra (1964)[19]
- Mass for Pope John XXIII for male chorus in quarter-tones (1920s)[19]
- Preludio a Colón for vocalizing soprano, octavina (modified bass guitar, in 8th tones), flute, 16th-tone harp, violin, and guitar (1922)[19]
- Serenata for cello in quarter-tones with English horn, harp, and string quartet (1927)[19]
- 70 estudios for solo violin in quarter-tones (c. 1927?) {also for solo viola, cello, or double-bass}[19]
- Sonata for solo guitar in quarter-tones (c.1924)[19]
- Sonata (Amanecer en Berlin 13) for solo harp in quarter-tones (1931)[19]
- Sonata casi fantasia for violin, violoncello and guitar in quarter-, eighth- and sixteenth-tones (1925)[19]
- String Quartet in quarter-tones (c.1924) {There are also 7 others with some using smaller intervals.}[19]
- Suite for solo guitar in quarter-tones (1960)[19]
- 3 estudios en forma de sonatina for solo violin in quarter-tones (1927)[19]
- Symphony No. 1 (Colombia) for orchestra in quarter-tones (c.1924)[19]
- Symphony No. 2 (Colombia) for orchestra in quarter-tones (1926)[19]
- Aaron Copland
- Vitebsk (1928).[14]
- John Corigliano
- Chiaroscuro for two pianos tuned a quarter tone apart (1997)[20]
- Mildred Couper
D
[edit]- John Diercks
- Reminiscences, 1971 for two pianos, one tuned a quarter-tone lower.[24]
E
[edit]- John Eaton
- Sonority Movement, for flute and nine harps.[25]
- Danny Elfman
- Soundtrack score for A Simple Plan features "very specific quarter tone detunings coming off the Emulator".[26]
- Don Ellis
- Electric Bath[27]
- George Enescu
F
[edit]- Bjørn Fongaard
- Galaxe [Galaxy] (for three quarter-tone guitars), Opus 46.[30]
- John Foulds
- Cello Sonata (1905, rev. 1927), passages in the second movement
G
[edit]- Sofia Gubaidulina
- Quaternion for cello quartet, two of the cellos are tuned down a quarter tone[31]
- Music for Flute, Strings, and Percussion, the strings are divided into two sections, one of which is tuned a quarter-tone lower than the other.[32]
H
[edit]- Sampo Haapamäki
- Georg Friedrich Haas
- 3 Hommages, for piano player on two pianos tuned a quarter tone apart[35]
- "Hommage à Steve Reich" (1982)
- "Hommage à György Ligeti" (1984)
- "Hommage à Josef Matthias Hauer" (1982)
- 3 Hommages, for piano player on two pianos tuned a quarter tone apart[35]
- Alois Hába
- Children's Play for unaccompanied youth chorus, Op.43 (1932)
- Chor-Suite for unaccompanied chorus, Op. 13 (1922)
- 5 Choruses for unaccompanied youth chorus, Op. 42 (1932)
- 5 Mixed Choruses, Op. 44 (1932)
- Detské nálady (Children's Moods), 8-song cycle for mid-ranged voice and quartertone guitar, Op.51 (1943)
- Fantasy No. 1 for quartertone piano, Op. 17 (1923)
- Fantasy No. 2 for quartertone piano, Op. 19 (1924)
- Fantasy No. 3 for quartertone piano, Op. 20 (1924)
- Fantasy No. 4 for quartertone piano, Op. 25 (1925)
- Fantasy No. 5 for quartertone piano, Op. 26 (1925)
- Fantasy No. 6 for quartertone piano, Op. 27 (1926)
- Fantasy No. 7 for quartertone piano, Op. 28 (1926)
- Fantasy No. 8 for quartertone piano, Op. 29 (1926)
- Fantasy No. 9 for quartertone piano, Op. 30 (1926)
- Fantasy No. 10 for quartertone piano, Op. 31 (1926)
- Fantasy No. 11 for quartertone piano, Op. 89 (1959)
- Fantasy for unaccompanied violin, Op. 9a (1921)[19]
- Fantasy for unaccompanied violoncello, Op. 18 (1924)
- Fantasy for violin and quartertone piano, Op. 21 (1925)[19]
- Fantasy for viola and quartertone piano, Op. 32 (1926)
- Fantasy for violoncello and quartertone piano, Op. 33 (1927)
- Já (I) for unaccompanied men's chorus, Op. 36 (1928)
- Matka (The Mother), quartertone opera in 10 scenes, Op. 35 (1927–29)[19]
- Poesie zivota (Poetry of Life), 12-song cycle for soprano and quartertone guitar, Op. 53 (1943)
- Pracující den (The working day) for unaccompanied male voices, Op. 45 (1932)
- Solo for violin Op. 93 (1961–62)[19]
- Sonata for quartertone piano, Op. 62 (1946–47)[19]
- String Quartet No. 2 ("In quarter-tone system"), Op. 7 (1920)[19]
- String Quartet 3 ("In quarter-tone system"), Op. 12 (1922)
- String Quartet 4 ("In quarter-tone system"), Op. 14 (1922)
- String Quartet 6 ("In quarter-tone system"), Op. 70 (1950)
- String Quartet No. 12 ("In quarter-tone system"), Op. 90 (1959–60)[19]
- String Quartet 14 ("In quarter-tone system"), Op. 94 (1963)
- Suite No. 1 for quartertone piano, Op. 10 (1922, revised in 1932 as Op. 11a)
- Suite No. 2 for quartertone piano, Op. 11 (1922, revised in 1932 as Op. 11b)
- Suite No. 3 for quartertone piano, Op. 16 (1923)
- Suite No. 4 for quartertone piano, Op. 22 (1924)
- Suite No. 5 for quartertone piano, Op. 23 (1925)
- Suite No. 6 for quartertone piano, Op. 88 (1957–59)[19]
- Suite for clarinet and quartertone piano, Op. 24 (1925)[19]
- 1st Suite for quartertone guitar, Op. 54 (1943)
- 2nd Suite for quartertone guitar, Op. 63 (1947)
- Suite for clarinet (unaccompanied), Op. 55 (1943)
- Suite for quartertone trumpet and trombone, Op. 56 (1944)
- Suite in quartertones for 4 trombones, Op. 72 (1950)[19]
- Fromental Halévy
- Prométhée enchaîné (1849)[36]
- Jonathan Harvey
- Valley of Aosta for chamber ensemble of 13 players and electronics (1988)[citation needed]
- Lejaren Hiller
- String Quartet No. 5 (1962).[14]
- Alan Hovhaness
- O Lord, Bless Thy Mountains, Op. 276, for two pianos tuned a quarter tone apart (1974)[37]
I
[edit]- Charles Ives
- Three Quarter-Tone Pieces, for two pianos, one tuned a quarter-tone sharp, S. 128 (K. 3C3) (1923–24)[38]
- Symphony No. 4 (1910–1924)[39]
K
[edit]- Jeronimas Kačinskas
- String Quartet No. 2 (1931) (lost? withdrawn?)
- Trio for trumpet, viola, and harmonium (1933) [40]
- Gideon Klein
- Duo for violin and viola in the Quartertone System (1940)[citation needed]
- György Kurtág
- Lebenslauf, Op. 32 (1992)
L
[edit]- Michael A. Levine
- Divination by Mirrors for Saw and Strings. Strings are divided into two groups of 13 tuned 1/4 step apart. Each group plays only in its own pitch "universe". The featured bowed saw freely moves from standard tuning to pitches a 1/4 step away. Premiered at Merkin Concert Hall, New York City, 1998 by the New York Virtuosi and Dale Stuckenbruck saw soloist.[41]
- György Ligeti
- Clocks and Clouds for 12-voiced women's choir and orchestra.[42]
- Quartet No. 2 for strings.[43]
- Ramifications for 12 solo strings (1968–69), divided into two groups tuned a quarter-tone apart.[44]
- Arthur Lourié
- Prelude for piano "with higher chromatism", Op.12 No.2 (1912).
- Alain Louvier
- Anneaux de Lumière (1983) for two pianos, one tuned a quarter-tone apart (1 player)
M
[edit]- Drake Mabry
- Street Cries (11.10.83) for solo B♭ clarinet features extensive use of quarter tones in all three movements.[45]
- Henry Mancini
- Soundtrack score for Wait Until Dark (1967) features extensive use of quarter-tones including two pianos tuned a quarter-tone apart[46]
- The Night Visitor[47]
- Steve Mackey
- Andrew March
- Aeolian Rustling (2001) for alto flute (Boehm system) and harp, with Kingma System alto flute ossia.[49]
- XXIX—in Perpetuum (2001) for solo Kingma System quarter-tone alto flute.[49]
- Water Lilies (2001) for solo alto flute and harp, with Kingma System quarter-tone alto flute ossia.[50]
- Memoriam (2002) for Kingma System quarter-tone alto flute, vibraphone, marimba, harp and strings.[51]
- Rytis Mažulis
- Quartertone Canon for two piano tuned a quarter-tone apart (2010)[citation needed]
- Sans Pause for string quartet (2001)[citation needed]
- Olivier Messiaen
- Deux monodies en quarts de ton (1938).[52]
N
[edit]- Per Nørgård
- String Quartet No. 5 'Inscape' (1969)[citation needed]
O
[edit]P
[edit]- Krzysztof Penderecki
- Threnody to the Victims of Hiroshima, for string orchestra, frequently makes use of quarter tones.[55]
R
[edit]- Karel Reiner
- Fantasy for quarter-tone piano (1935-36)
- Five songs for voice with violin accompaniment in quarter-tones to texts by Karel Hynek Mácha (1936, performed at the 1938 ISCM Festival in Paris)
- 3 Duos for 2 quarter-tone clarinets (1972)
- Suite for quarter-tone piano (1935-36)
- Milan Ristić
- Duo for violin and violoncello, Op. 11 (1938)[citation needed]
- Septet for clarinet, 2 trombones, string trio, and doublebass, Op. 9 (1938)[citation needed]
- Suite for unaccompanied violin, Op. 6 (1938)[citation needed]
- Suite for ten strings, Op. 10 (1938)[citation needed]
- Suite for four trombones, Op. 8 (1938, scheduled for performance during the 1939 ISCM Festival in Warsaw but the performance could not take place)[citation needed]
S
[edit]- Ezra Sims
- String Quartet No. 3 (1962)[citation needed]
- Richard Stein
- Zwei Konzertstücke, Op. 26, 1906.[56]
- Karlheinz Stockhausen
- Pietà, for soprano, quarter-tone flugelhorn, and electronic music, from the opera Dienstag aus Licht[57]
- Schlagquartett, for piano and 3 x 2 timpani (1952)[58]
- Billy Strange
- These Boots Are Made for Walkin', 1966 popular song, sung by Nancy Sinatra, with a prominent quarter tone double bass riff.[59]
T
[edit]- Tōru Takemitsu
- Bryce (1976).[14]
- James Tenney
- Bridge for two pianos tuned a quarter-tone apart (1984)
- Jukka Tiensuu
- Kymmari for Decacorde (2016)
- Anomal Dances Concerto for quarter-tone accordion and orchestra (2015)
- Kuuhiomo a proludi in quarter tones for any ensemble of melody instruments (2015)
- Arsenic and Old Lace for micro-tonally tuned harpsichord, string quartet (1990)
- Narcissus for oboe and tape (1979)
- Tui St. George Tucker
- Amoroso for solo clarinet[citation needed]
- Indian Summer for 2 baritones with 2 flutes, clarinet, bassoon, trombone, viola, and percussion[citation needed]
- Little Pieces for quarter-tone piano[60]
- My Melancholy Baby Fantasy for one player performing on two pianos at a right angle tuned a quarter-tone apart
- Quartertone Carol for recorder trio
- Quartertone Recorder Duets[60]
- Quartertone Lullubies 1–3 for recorder trio
- Romanza for solo recorder.[61]
- Sarabande: Dance for Miriam Cooper, for microtonal harpsichord (1986)[62]
- Sonata No. 1 for Solo Recorder ("The Bullfinch").[63]
W
[edit]- Ivan Wyschnegradsky
- Ainsi Parlait Zarathoustra, for four pianos two of which are tuned a quarter-tone sharp, Op. 17 (1929–1930, revised 1936)
- 2 Chants sur Nietzsche, for baritone & 2 pianos in quarter tones, Op. 9 (1923)
- Chant douloureux et étude, for violin and piano, Op. 6 (1918)[64]
- Composition, for string quartet, Op. 43 (1960)
- Cosmos, for 4 pianos in quarter tones, Op. 28 (1939–1940)[65]
- Dialogue, for two pianos tuned a quarter-tone apart, eight hands, W.o.O. (1959)
- Dithyrambe, for two pianos tuned a quarter-tone apart, Op. 12 (1923–1924)
- Études sur les mouvements rotatoires, for two pianos tuned a quarter-tone apart, eight hands, Op. 45a.; for chamber orchestra, Op. 45c (1961)
- Études sur les densités et les volumes, for two pianos tuned a quarter-tone apart, Op. 39b (1956)
- Fragment symphonique No. 1, for four pianos two of which are tuned a quarter-tone sharp, Op. 23a; for orchestra, Op. 23c (1934, orch. vers. 1967)
- Fragment symphonique No. 2, for four pianos two of which are tuned a quarter-tone sharp, timpani & percussions, Op. 24 (1937)
- Fragment symphonique No. 3, for four pianos two of which are tuned a quarter-tone sharp & ad. lib. percussions, Op. 31 (1946)
- Prélude et Fugue, Op. 21, for two pianos tuned a quarter-tone apart (1932)
- Préludes dans tous les tons de l'échelle chromatique diatonisée à 13 sons, Op. 22, for two pianos tuned a quarter-tone apart (1934, revised 1960)
- String Quartet No. 1, Op. 13 (1923–1924)
- String Quartet No. 2, Op. 18 (1930–1931)
- String Trio, Op. 53 (1979, unfinished, completed by Claude Ballif)
- Variations sans thème et conclusion (five), for orchestra, Op. 33 (1951–52)[66]
Y
[edit]- Eugène Ysaÿe
- Six Sonatas for Solo Violin, Op. 27 (1924), Nos. 3 and 5[67]
See also
[edit]Notes
[edit]- ^ Saito 2008, p. 12.
- ^ Bach, "Concert Variations Archived 2015-05-28 at the Wayback Machine", JanBach.com.
- ^ Op de Coul 2012, "Uses quarter tones."
- ^ Clements 2008.
- ^ Couture & [2001].
- ^ Gagné 2012, p. 26.
- ^ Read 1990, p. 51.
- ^ Somfai 1996, p. 269; Bayley 2001, p. 168
- ^ Riley 1996, p. 275; Gagné 2012, p. 217
- ^ Gagné 2012, p. 217; Read 1990, p. 52
- ^ Johnston 2013; Michaels 2013
- ^ Skinner 2007, p. vii.
- ^ Read 1964, pp. 143–144.
- ^ a b c d e f Gagné 2012, p. 217.
- ^ Skinner 2007, p. 45.
- ^ Gagné 2012, p. 217; Read 1990, p. 58
- ^ Boulez 1986, pp. 129–131.
- ^ "Jacob Collier - in the Bleak Midwinter (Transcription)". YouTube. Archived from the original on 2022-08-18. Retrieved 2022-08-18.
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac Read 1990, p. 2.
- ^ Gagné 2012, p. 217; Latham 2008, p. 11
- ^ Hinson 1983, p. 42.
- ^ Couper 1937.
- ^ Saffle 2000, p. 230.
- ^ Hinson 1983, pp. 52–53.
- ^ Keislar 1991, p. 185, "The nine harps are divided into three groups of three and tuned in sixth-tones, and the flute plays in quarter-steps"
- ^ Lanser and Monahan & [1999].
- ^ Oteri 2004, n. 12, "At some point, he outfitted his entire trumpet section with four-valved trumpets whose additional valve allowed them to play quarter-tones"
- ^ Bentoiu 2010, pp. 242–244.
- ^ Patterson 2009, pp. 38–39.
- ^ Anon. 2011.
- ^ Anon. 2001, p. 347; Anon. 2007, p. 106
- ^ Kurtz 2007, p. 232.
- ^ Lhermet 2016.
- ^ Fiilin 2020.
- ^ "Georg Friedrich Haas: 3 Hommages Archived 2016-03-03 at the Wayback Machine", UniversalEdition.com.
- ^ Macdonald 2001.
- ^ Gagné 2012, p. 217; Rosner and Wolverton 2001, [page needed]
- ^ Pappastavrou 1974; Sherwood 2002, pp. 123–126
- ^ Borchert 2015.
- ^ "The Legendary Microtonal Trio by Jeronimas Kačinskas – a challenge for performers". Music Information Centre Lithuania. Archived from the original on June 3, 2021. Retrieved June 3, 2021.
- ^ "Classical Music". The New Yorker. Vol. 74, no. 1–10. p. 23.
- ^ Steinitz 2003, p. 201. However, Duchesneau (2011, p. 135) states that Ramifications is Ligeti's "only work in quarter tones".
- ^ Steinitz 2003, p. 183. However, Duchesneau (2011, p. 135) states that Ramifications is Ligeti's "only work in quarter tones".
- ^ Clendinning 1993, p. 219; Duchesneau 2011, p. 135; Griffiths 2001; Roig-Francolí 1995, p. 244; Steinitz 2003, pp. 179–180; Toop 1999, pp. 134–135.
- ^ Richards 1992, [page needed].
- ^ Benedetti, Brown, Laramie, and Williams 2004, p. 134.
- ^ Brown 1994, pp. 177–178.
- ^ a b Froom 1994, p. 135.
- ^ a b Fether 2005, pp. 5, 36, and 51.
- ^ Fether 2005, p. 36.
- ^ Fether 2005, pp. 36, and 105.
- ^ Gagné 2012, p. 172.
- ^ Oteri n.d.
- ^ Anon. 2015.
- ^ He et al. 2006, [page needed].
- ^ Benson 2007, p. 228.
- ^ Brotbeck 2004, pp. 56–57.
- ^ Stockhausen 1964, p. 15, "Konträr-Klangräume: 6 Pauken, deren Stimmung ganztönig, und zur Klavierstimmung vierteltönig verschoben [Contrasting sound spaces: 6 timpani, the whole tone of which is tuned and quarter-tone shifted to the piano tuning]".
- ^ Everett, Walter (2009). The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes". Oxford University Press, USA. p. 32. ISBN 978-0-19-531023-8. Archived from the original on 2023-02-22. Retrieved 2023-03-21.
- ^ a b Hansen 2005, p. 285.
- ^ Tucker 1970, p. 7, "An arrow head pointing down over a note lowers it approximately a quarter step".
Hettrick 1971, "Both pieces require performing techniques not encountered in traditional music for recorder. The most striking is the production of quarter-tones, notated as pitches in the chromatic scale to be lowered slightly. Charts provided by the composer give fingering for all half- and quarter-tones from the low f' up to a precarious c''''." - ^ Tucker 1986, pp. 2–3, "'V' over a tone lowers it a quartertone … 'V' below a group of tones lowers that group a quartertone".
- ^ Hettrick 1971.
Tucker 1970, p. 4, "An arrow head pointing down over a note lowers it approximately a quarter step". - ^ Anon. 1997, p. 921.
- ^ Maxwell 1993, p. 103.
- ^ Read 1990, p. 76.
- ^ Ysaÿe 1924, pp. 24, 26, 39, and 43.
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- Anon. 2011. "Elektrofoni: Works For Micro Intervallic Guitar 1965–1978: Bjørn Fongaard" (CD track listing). AllMusic (Accessed 15 November 2011).
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Further reading
[edit]- Gann, Kyle. 6 July 1999. "Sound Bytes of Truth", The Village Voice.
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