Norns

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The Norns (Old Norse: norn [ˈnorn], plural: nornir [ˈnornɪr]) are deities in Norse mythology responsible for shaping the course of human destinies.^[1]

In the Völuspá, the three primary Norns Urðr (Wyrd), Verðandi, and Skuld draw water from Urðarbrunnr to nourish Yggdrasill, the tree at the center of the cosmos, and prevent it from rot.^[2] These three Norns are described as powerful women whose arrival from Jötunheimr ended the golden age of the gods. The Norns are also described as maidens of Mögþrasir in Vafþrúðnismál.^[2]

Beside the tending to Yggdrasill, Old Norse sources attest to Norns who visit a newborn child in order to determine the person's future.^[3] These Norns could be malevolent or benevolent, bringing tragic or beneficial events respectively.^[2]

The origin of the name norn is uncertain; it may derive from a word meaning 'to twine', which would refer to their twining the thread of fate.^[2] Bek-Pedersen suggests that the word norn has relation to the Swedish dialect word norna (nyrna), a verb that means 'communicate secretly'. This interpretation relates to the perception of norns as shadowy, background figures who only really ever reveal their fateful secrets to people as their fates come to pass.^[4]

The name Urðr (Old English: Wyrd, 'weird') means 'fate'. Wyrd and urðr are etymological cognates, a situation that does not mean necessarily that wyrd and urðr share the same semantic quality of "fate" over time.^[5] Both Urðr and Verðandi are derived from the Old Norse verb verða, 'to become',^[6] which itself derives from Proto-Germanic *wurdiz, from Proto-Indo-European *wrti-, which is a verbal abstract from the root *wert- ("to turn")^[7] Often, it is asserted that while Urðr derives from the past tense ('that which became or happened'), Verðandi derives from the present tense of verða ('that which is happening'). Skuld is derived from the Old Norse verb skulu, "need/ought to be/shall be";^[2][8] its meaning is "that which should become, or that needs to occur".^[6] Due to this, it has often been inferred that the three norns are in some way connected with the past, present and future respectively, but it has been disputed that their names really imply a temporal distinction^[2] and it has been emphasised that the words do not in themselves denote chronological periods in Old Norse.^[9]

There is no clear distinction between norns, fylgjas, hamingjas, and valkyries, nor with the generic term dísir. Moreover, artistic license permitted such terms to be used for mortal women in Old Norse poetry. To quote Snorri Sturluson's Skáldskaparmál on the various names used for women:

Woman is also metaphorically called by the names of the Asynjur or the Valkyrs or Norns or women of supernatural kind.^[10]

There are a number of surviving Old Norse sources that relate to the norns. The most important sources are the Prose Edda and the Poetic Edda. The latter contains pagan poetry where the norns are frequently referred to, while the former contains, in addition to pagan poetry, retellings, descriptions and commentaries by the 12th and 13th century Icelandic chieftain and scholar Snorri Sturluson.

A skaldic reference to the norns appears in Hvini's poem in Ynglingatal 24 found in Ynglingasaga 47, where King Halfdan is put to rest by his men at Borró. This reference brings in the phrase "norna dómr" which means "judgment of the nornir". In most cases, when the norns pass judgment, it means death to those who have been judged - in this case, Halfdan.^[11] Along with being associated with being bringers of death, Bek-Pedersen suggests that this phrase brings in a quasi-legal aspect to the nature of the norns. This legal association is employed quite frequently within skaldic and eddic sources. This phrase can also be seen as a threat, as death is the final and inevitable decision that the norns can make with regard to human life.^[12]

Ok til Þings Þriðja jǫfri Hvedðrungs mær ór heimi bauð pás Halfdan, sás Holtum bjó, norna dóms of notit hafði. Ok buðlung á Borrói sigrhafendr síðan fólu.[13]

And to a meeting Hveðrungr's maid called the third king from the world, at the time when Halfdan, he who lived at Holt, had embraced the judgment of the nornir; and at Borró the victorious men later did hide the king.[11]

The Poetic Edda is valuable in representing older material in poetry from which Snorri Sturluson tapped information in the Prose Edda. Like Gylfaginning, the Poetic Edda mentions the existence of many lesser norns beside the three main norns. Moreover, it also agrees with Gylfaginning by telling that they were of several races and that the dwarven norns were the daughters of Dvalin. It also suggests that the three main norns were giantesses (female Jotuns).^[14]

Fáfnismál contains a discussion between the hero Sigurd and the dragon Fafnir who is dying from a mortal wound from Sigurd. The hero asks Fafnir of many things, among them the nature of the norns. Fafnir explains that they are many and from several races:

Sigurðr kvað: 12. "Segðu mér, Fáfnir, alls þik fróðan kveða ok vel margt vita, hverjar ro þær nornir, er nauðgönglar ro ok kjósa mæðr frá mögum." - Fáfnir kvað: 13. "Sundrbornar mjök segi ek nornir vera, eigu-t þær ætt saman; sumar eru áskunngar, sumar alfkunngar, sumar dætr Dvalins."[15]

Sigurth spake: 12. "Tell me then, Fafnir, for wise thou art famed, And much thou knowest now: Who are the Norns who are helpful in need, And the babe from the mother bring?" - Fafnir spake: 13. "Of many births the Norns must be, Nor one in race they were; Some to gods, others to elves are kin, And Dvalin's daughters some."[16]

It appears from Völuspá and Vafþrúðnismál that the three main norns were not originally goddesses but giants (Jotuns), and that their arrival ended the early days of bliss for the gods, but that they come for the good of humankind.

Völuspá relates that three giants of huge might are reported to have arrived to the gods from Jotunheim:

8. Tefldu í túni, teitir váru, var þeim vettergis vant ór gulli, uns þrjár kvámu þursa meyjar ámáttkar mjök ór Jötunheimum.[17]

8. In their dwellings at peace they played at tables, Of gold no lack did the gods then know,-- Till thither came up giant-maids three, Huge of might, out of Jotunheim.[18]

Vafþrúðnismál probably refers to the norns when it talks of maiden giants who arrive to protect the people of Earth as protective spirits (hamingjas):^[2][19]

49. "Þríar þjóðár falla þorp yfir meyja Mögþrasis; hamingjur einar þær er í heimi eru, þó þær með jötnum alask."[20]

49. O'er people's dwellings three descend of Mögthrasir's maidens, the sole Hamingiur who are in the world, although with Jötuns nurtured.[21]

The Völuspá contains the names of the three main Norns referring to them as maidens like Vafþrúðnismál probably does:

20. Þaðan koma meyjar margs vitandi þrjár ór þeim sæ, er und þolli stendr; Urð hétu eina, aðra Verðandi, - skáru á skíði, - Skuld ina þriðju; þær lög lögðu, þær líf kuru alda börnum, örlög seggja.[17]

20. Thence come the maidens mighty in wisdom, Three from the dwelling down 'neath the tree; Urth is one named, Verthandi the next,-- On the wood they scored,-- and Skuld the third. Laws they made there, and life allotted To the sons of men, and set their fates.[22]

The norns visited each newly born child to allot his or her future, and in Helgakviða Hundingsbana I, the hero Helgi Hundingsbane has just been born and norns arrive at the homestead:

2. Nótt varð í bæ, nornir kómu, þær er öðlingi aldr of skópu; þann báðu fylki frægstan verða ok buðlunga beztan þykkja. - 3. Sneru þær af afli örlögþáttu, þá er borgir braut í Bráluni; þær of greiddu gullin símu ok und mánasal miðjan festu. - 4. Þær austr ok vestr enda fálu, þar átti lofðungr land á milli; brá nift Nera á norðrvega einni festi, ey bað hon halda.[23]

2. 'Twas night in the dwelling, and Norns there came, Who shaped the life of the lofty one; They bade him most famed of fighters all And best of princes ever to be. - 3. Mightily wove they the web of fate, While Bralund's towns were trembling all; And there the golden threads they wove, And in the moon's hall fast they made them. - 4. East and west the ends they hid, In the middle the hero should have his land; And Neri's kinswoman northward cast A chain, and bade it firm ever to be.[24]

In Helgakviða Hundingsbana II, Helgi Hundingsbane blames the norns for the fact that he had to kill Sigrún's father Högni and brother Bragi in order to wed her:

26 "Er-at þér at öllu, alvitr, gefit, - þó kveð ek nökkvi nornir valda -: fellu í morgun at Frekasteini Bragi ok Högni, varð ek bani þeira.[25]

"Maid, not fair is all thy fortune, The Norris[26] I blame that this should be; This morn there fell at Frekastein Bragi and Hogni beneath my hand.[27]

As Snorri Sturluson stated in Gylfaginning, people's fate depended on the benevolence or the malevolence of particular norns. In Reginsmál, the water dwelling dwarf Andvari blames his plight on an evil norn, presumably one of the daughters of Dvalin:

2. "Andvari ek heiti, Óinn hét minn faðir, margan hef ek fors of farit; aumlig norn skóp oss í árdaga, at ek skylda í vatni vaða."[28]

2. "Andvari am I, and Oin my father, In many a fall have I fared; An evil Norn in olden days Doomed me In waters to dwell."[29]

Another instance of Norns being blamed for an undesirable situation appears in Sigurðarkviða hin skamma, where the valkyrie Brynhild blames malevolent norns for her long yearning for the embrace of Sigurd:

7. Orð mæltak nú, iðrumk eftir þess: kván er hans Guðrún, en ek Gunnars; ljótar nornir skópu oss langa þrá."[30]

7. "The word I have spoken; soon shall I rue it, His wife is Guthrun, and Gunnar's am I; Ill Norns set for me long desire."[31]

Brynhild's solution was to have Gunnarr and his brothers, the lords of the Burgundians, kill Sigurd and afterwards to commit suicide in order to join Sigurd in the afterlife. Her brother Atli (Attila the Hun) avenged her death by killing the lords of the Burgundians, but since he was married to their sister Guðrún, Atli would soon be killed by her. In Guðrúnarkviða II, the Norns actively enter the series of events by informing Atli in a dream that his wife would kill him. The description of the dream begins with this stanza:

"Svá mik nýliga nornir vekja," - vílsinnis spá vildi, at ek réða, - "hugða ek þik, Guðrún Gjúka dóttir, læblöndnum hjör leggja mik í gögnum."[32]

39. "Now from sleep the Norns have waked me With visions of terror,-- To thee will I tell them; Methought thou, Guthrun, Gjuki's daughter, With poisoned blade didst pierce my body."[33]

After having killed both her husband Atli and their sons, Guðrún blames the Norns for her misfortunes, as in Guðrúnarhvöt, where Guðrún talks of trying to escaping the wrath of the norns by trying to kill herself:

13. Gekk ek til strandar, gröm vark nornum, vilda ek hrinda stríð grið þeira; hófu mik, né drekkðu, hávar bárur, því ek land of sték, at lifa skyldak.[34]

13. "To the sea I went, my heart full sore For the Norns, whose wrath I would now escape; But the lofty billows bore me undrowned, Till to land I came, so I longer must live.[35]

Guðrúnarhvöt deals with how Guðrún incited her sons to avenge the cruel death of their sister Svanhild. In Hamðismál, her sons' expedition to the Gothic king Ermanaric to exact vengeance is fateful. Knowing that he is about to die at the hands of the Goths, her son Sörli talks of the cruelty of the norns:

29. "Ekki hygg ek okkr vera ulfa dæmi, at vit mynim sjalfir of sakask sem grey norna, þá er gráðug eru í auðn of alin. - 30. Vel höfum vit vegit, stöndum á val Gotna, ofan eggmóðum, sem ernir á kvisti; góðs höfum tírar fengit, þótt skylim nú eða í gær deyja; kveld lifir maðr ekki eftir kvið norna." - 31. Þar fell Sörli at salar gafli, enn Hamðir hné at húsbaki.[36]

29. "In fashion of wolves it befits us not Amongst ourselves to strive, Like the hounds of the Norns, that nourished were In greed mid wastes so grim. - 30. "We have greatly fought, o'er the Goths do we stand By our blades laid low, like eagles on branches; Great our fame though we die today or tomorrow; None outlives the night when the Norris[26] have spoken." - 31. Then Sorli beside the gable sank, And Hamther fell at the back of the house.[37]

Since the norns were beings of ultimate power who were working in the dark, it should be no surprise that they could be referred to in charms, as they are by Sigrdrífa in Sigrdrífumál:

17. Á gleri ok á gulli ok á gumna heillum, í víni ok í virtri ok vilisessi, á Gugnis oddi ok á Grana brjósti, á nornar nagli ok á nefi uglu.[38]

17. On glass and on gold, and on goodly charms, In wine and in beer, and on well-loved seats, On Gungnir's point, and on Grani's breast, On the nails of Norns, and the night-owl's beak.[39]

In the part of Snorri Sturluson's Prose Edda which is called Gylfaginning, Gylfi, the king of Sweden, has arrived at Valhalla calling himself Gangleri. There, he receives an education in Norse mythology from what is Odin in the shape of three men. They explain to Gylfi that there are three main norns, but also many others of various races, æsir, elves and dwarves:

A hall stands there, fair, under the ash by the well, and out of that hall come three maids, who are called thus: Urdr, Verdandi, Skuld; these maids determine the period of men's lives: we call them Norns; but there are many norns: those who come to each child that is born, to appoint his life; these are of the race of the gods, but the second are of the Elf-people, and the third are of the kindred of the dwarves, as it is said here:

Most sundered in birth

I say the Norns are;

They claim no common kin:

Some are of Æsir-kin,

some are of Elf-kind,

Some are Dvalinn's daughters.

Then said Gangleri: "If the Norns determine the weirds of men, then they apportion exceeding unevenly, seeing that some have a pleasant and luxurious life, but others have little worldly goods or fame; some have long life, others short." Hárr said: "Good norns and of honorable race appoint good life; but those men that suffer evil fortunes are governed by evil norns."^[40]

The three main norns take water out of the well of Urd and water Yggdrasil:

It is further said that these Norns who dwell by the Well of Urdr take water of the well every day, and with it that clay which lies about the well, and sprinkle it over the Ash, to the end that its limbs shall not wither nor rot; for that water is so holy that all things which come there into the well become as white as the film which lies within the egg-shell,--as is here said:

I know an Ash standing

called Yggdrasill,

A high tree sprinkled

with snow-white clay;

Thence come the dews

in the dale that fall--

It stands ever green

above Urdr's Well.

That dew which falls from it onto the earth is called by men honey-dew, and thereon are bees nourished. Two fowls are fed in Urdr's Well: they are called Swans, and from those fowls has come the race of birds which is so called."^[40]

Snorri Sturluson furthermore informs the reader that the youngest norn, Skuld, is in effect also a valkyrie, taking part in the selection of warriors from the slain:

These are called Valkyrs: them Odin sends to every battle; they determine men's feyness and award victory. Gudr and Róta and the youngest Norn, she who is called Skuld, ride ever to take the slain and decide fights.^[40]

Some of the legendary sagas also contain references to the norns. The Hervarar saga contains a poem named Hlöðskviða, where the Gothic king Angantýr defeats a Hunnish invasion led by his Hunnish half-brother Hlöðr. Knowing that his sister, the shieldmaiden Hervör, is one of the casualties, Angantýr looks at his dead brother and laments the cruelty of the norns:

32. Bölvat er okkr, bróðir, bani em ek þinn orðinn; þat mun æ uppi; illr er dómr norna."[41]

"We are cursed, kinsman, your killer am I! It will never be forgotten; the Norns' doom is evil."[42]

In younger legendary sagas, such as Norna-Gests þáttr and Hrólfs saga kraka, the norns appear to have been synonymous with völvas (witches, female shamans). In Norna-Gests þáttr, where they arrive at the birth of the hero to shape his destiny, the norns are not described as weaving the web of fate, instead Norna appears to be interchangeable and possibly a synonym of vala (völva).

One of the last legendary sagas to be written down, the Hrólfs saga kraka talks of the norns simply as evil witches. When the evil half-elven princess Skuld assembles her army to attack Hrólfr Kraki, it contains in addition to undead warriors, elves and norns.

Runic inscription N 351 M from the Borgund stave church attests to the belief in the Norns as bringers of both gain and loss after the Christianisation of Scandinavia, reading:

Þórir carved these runes on the eve of Olaus-mass, when he travelled past here. The norns did both good and evil, great toil ... they created for me.^[43]

Three women carved on the right panel of Franks Casket, an 8th century Anglo-Saxon whalebone chest, have been identified by some scholars as being three norns.^{[citation needed]}

A number of theories have been proposed regarding the norns.^[44]

The Germanic Matres and Matrones, female deities venerated in North-West Europe from the 1st to the 5th century AD depicted on votive objects and altars almost entirely in groups of three from the first to the fifth century AD have been proposed as connected with the later Germanic dísir, valkyries, and norns,^[44] potentially stemming from them.^[45]

Theories have been proposed that there is no foundation in Norse mythology for the notion that the three main norns should each be associated exclusively with the past, the present, and the future;^[2] rather, all three represent destiny as it is twined with the flow of time.^[2] Moreover, theories have been proposed that the idea that there are three main norns may be due to a late influence from Greek and Roman mythology, where there are also spinning fate goddesses (Moirai and Parcae).^[2]

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The Norns feature in fiction books such as Oh My Goddess!, The Wicked + The Divine, the Magic Tree House series, and Bernard Cornwell's The Saxon Stories, in which the protagonist Uhtred refers to them as the "Three Spinners" who control his fate.^{[citation needed]} In Philip K. Dick's Galactic Pot-Healer they keep the book in which the future is already written, while in Neil Gaiman's novel American Gods, they are shown as three women who make prophecies.^{[citation needed]}

The Norns feature in video games such as God of War Ragnarök (2022), in which Kratos, Freya, and Mimir's head traveled to them in order to know what Atreus is doing in Asgard.^{[citation needed]} Other examples include the MMO Guild Wars 2, which has a race of Viking themed people called norn, and Shin Megami Tensei: Devil Children 2, where they act askeepers of time and are recruitable demons in the post-game.^{[citation needed]}

Amon Amarth wrote a death metal album entitled Fate of Norns, released in 2004 and containing the title track of the same name.^{[citation needed]}

• Deities and fairies of fate in Slavic mythology
• Hecate
• Matrones
• Moirai, Fates in Greek religion and mythology
• Parcae, Fates in Roman religion and mythology
• Valkyries
• Weird Sisters, witches in Shakespeare's Macbeth

• Media related to Norns at Wikimedia Commons