Shange was born Paulette Linda Williams in Trenton, New Jersey,[4] to an upper-middle-class family. Her father, Paul T. Williams, was a surgeon, and her mother, Eloise Williams, was an educator and a psychiatric social worker. When she was aged eight, Shange's family moved to the racially segregated city of St. Louis. As a result of the Brown v. Board of Education court decision, Shange was bused to a white school where she endured racism and racist attacks.
Shange's family had a strong interest in the arts and encouraged her artistic education. Among the guests at their home were Dizzy Gillespie, Miles Davis, Chuck Berry, Paul Robeson, and W. E. B. Du Bois.[5][6] From an early age, Shange took an interest in poetry.[7] While growing up with her family in Trenton, Shange attended poetry readings with her younger sister Wanda (now known as the playwright Ifa Bayeza).[8] These poetry readings fostered an early interest for Shange in the South in particular, and the loss it represented to young Black children who migrated to the North with their parents.[7] In 1956, Shange's family moved to St. Louis, Missouri, where Shange was sent several miles away from home to a non-segregated school that allowed her to receive "gifted" education. While attending this non-segregated school, Shange faced overt racism and harassment. These experiences would later go on to heavily influence her work.[6]
In 1970 in San Francisco, having come to terms with her depression and alienation, Shange rejected "Williams" as a slave name and "Paulette" (after her father Paul) as patriarchal, and asked South African musicians Ndikho and Nomusa Xaba[13] to bestow an African name.[14] In 1971, Ndikho duly chose Ntozake and Shange,[14] which Shange respectively glossed as Xhosa "She who comes with her own things" and Zulu "She who walks like a lion".[14][15]
In 1975, Shange moved back to New York City, after earning her master's degree in American Studies in 1973[16] from the University of Southern California in Los Angeles, California. She is acknowledged as having been a founding poet of the Nuyorican Poets Café.[17] In that year her first and most well-known play was produced — for colored girls who have considered suicide / when the rainbow is enuf. First produced Off-Broadway, the play soon moved on to Broadway at the Booth Theater and won several awards, including the Obie Award, Outer Critics Circle Award, and the AUDELCO Award. This play, her most famous work, was a 20-part choreopoem — a term Shange coined to describe her groundbreaking dramatic form, combining of poetry, dance, music, and song[18] — that chronicled the lives of women of color in the United States. The poem was eventually made into the stage play, was then published in book form in 1977. In 2010, the choreopoem was adapted into a film (For Colored Girls, directed by Tyler Perry).
In 1978, Shange became an associate of the Women's Institute for Freedom of the Press (WIFP).[21] WIFP is an American nonprofit publishing organization. The organization works to increase communication between women and connect the public with forms of women-based media. Shange taught in the Creative Writing Program at the University of Houston from 1984 to 1986. While there, she wrote the ekphrastic poetry collection Ridin' the Moon in Texas: Word Paintings and served as thesis advisor for poet and playwright Annie Finch.
In 2003, Shange wrote and oversaw the production of Lavender Lizards and Lilac Landmines: Layla's Dream while serving as a visiting artist at the University of Florida, Gainesville.[23]
Although Shange is described as a "post-Black artist", her work was decidedly feminist, whereas the Black Arts Movement has been criticized as misogynistic and "sexism had been widely and hotly debated within movement publications and organizations."[25]Amiri Baraka—one of the leading male figures of the movement—denied her as a post-Black artist.[25] With regard to Shange as a part of the black aesthetic and as a post-Black artist, he claimed "that several women writers, among them Michelle Wallace [sic] and Ntozake Shange, like [Ishmael] Reed, had their own 'Hollywood' aesthetic, one of 'capitulation' and 'garbage.'"[25]
Shange lived in Brooklyn, New York.[26] Shange had one daughter, Savannah Shange. Shange was married twice: to the jazz saxophonist David Murray and the painter McArthur Binion, Savannah's father, with both marriages ending in divorce.[4]
Shange died in her sleep on October 27, 2018, aged 70, in an assisted-living facility in Bowie, Maryland.[4] She had been ill, having suffered a series of strokes in 2004,[27] but she "had been on the mend lately, creating new work, giving readings and being feted for her work."[28] Her sister Ifa Bayeza (with whom she co-wrote the 2010 novel Some Sing, Some Cry)[29] said: "It's a huge loss for the world. I don't think there's a day on the planet when there's not a young woman who discovers herself through the words of my sister."[28]
Boogie Woogie Landscapes (1979). Produced on Broadway at the Symphony Space Theatre.[b]
Spell #7 (written spell #7) or spell #7: Geechee jibaro Quik magic trance manual for technologically stressed third world people (1979). Produced Off-Broadway by Joseph Papp's New York Shakespeare Festival at The Public Theater.
Mother Courage and Her Children (1980). Produced off-Broadway at The Public Theater. Winner of a 1981 Obie Award.
Three for a Full Moon (1982).
Bocas (1982). First produced at the Mark Taper Forum in Los Angeles.
From Okra to Greens/A Different Kinda Love Story (1983).
^First produced under the title A Photograph: A Still Life With Shadows/ A Photograph: A Study in Cruelty in 1977. Produced under the current title A Photograph: Lovers in Motion by the Equinox Theatre in Houston, Texas, in 1979.
^First presented as a one-woman piece at the New York Shakespeare Festival's Poetry at the Public series on December 18, 1978. Presented in play form at the Symphony Space Theatre as a fundraiser for The Frank Silvera Writer's Workshop on June 26, 1979.
^Published in Love's Fire: Seven New Plays Inspired by Seven Shakespearean Sonnets (1998). Inspired by Shakespeare's Sonnet 128.
^Lee, Felicia R. (September 17, 2010), "A Writer's Struggles, On and Off the Page", The New York Times: "The sisters were raised in St. Louis and in Lawrence Township, N.J., the oldest of four children of a surgeon, Paul T. Williams, and Eloise O. Williams, a social worker, and educator who also had a fondness for the arts."
^Aubrey, Dan. "In Memoriam: Ntozake Shange", Princeton Info, October 31, 2018. Accessed May 7, 2020. "She graduated from Trenton Central High School in 1966 and received degrees from Barnard College and the University of Southern California."