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Portrait of Giacomo di Andrea Dolfin

Portrait of Giacomo Dolfin
ArtistTitian
Yearc. 1531–1532
MediumOil on canvas
Dimensions104.9 cm × 90.9 cm (41.3 in × 35.8 in)
LocationLos Angeles County Museum of Art, Los Angeles

Portrait of Giacomo di Andrea Dolfin, formerly known only as Portrait of a Man, is an oil painting by the Venetian master Titian, made about 1531.[1] It is part of the collection of the Los Angeles County Museum of Art, though not currently on display.[1]

Subject

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The sitter was identified as Giacomo di Andrea Dolfin by Charles Hope in 1982,[2] based on the partially legible inscription on the letter held in the subject's right hand, which is addressed to himself.[3] Philip Conisbee, in 1991, gave the following decipherment: "Al Cl … mo Giacomo delfin / M ... co D ... Prvi / a Vrcinovi [or Venezia]".[3] Dolfin is probably being referred to as provveditore at Orzinuovi, which position he is known to have occupied in 1531 and 1532.[3][4] Titian shows him garbed in the costly burgundy robes of a Venetian magistrate.[3]

History

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Copy

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Venetian Nobleman
ArtistTitian
Yearafter 1530
MediumOil on canvas
Dimensions108.0 cm × 91.4 cm (42.5 in × 36.0 in)
LocationNorton Simon Museum, Pasadena
AccessionF.1965.1.065.P

There is an old copy of the painting in the collection of the Norton Simon Museum, Pasadena, entitled Portrait of a Venetian Nobleman, which is thought to be either a studio version or a later copy by Titian himself.[6] As revealed by x-ray analysis, the copy was painted over another fully finished and cut-down portrait of a bearded, seated figure which was probably by another hand (perhaps Leandro Bassano).[6]

The painting was acquired by Joseph Duveen in 1928 and published in a German catalogue by Wilhelm Suida in 1939.[7] It includes a type of cloth hanging or unfolded curtain behind the figure of Dolfin. The same type of cloth hanging was once in the original portrait but proved to be a later addition and was removed during a conservation effort in 1980.[3]

Provenance

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See also

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References

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  1. ^ a b LACMA Collections.
  2. ^ Hope 1982, pp. 158.
  3. ^ a b c d e f g h Marandel 2019, p. 43.
  4. ^ Hope 1982, pp. 160.
  5. ^ Vasari 1915, ix. p. 176.
  6. ^ a b c Norton Simon Museum.
  7. ^ Suida 1939, pl. CXCV.

Sources

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