Swept Away (1974 film)

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Swept Away
Italian theatrical release poster
Italian	Travolti da un insolito destino nell'azzurro mare d'agosto
Directed by	Lina Wertmüller
Written by	Lina Wertmüller
Produced by	Romano Cardarelli
Starring	Giancarlo Giannini Mariangela Melato
Cinematography	Ennio Guarnieri
Edited by	Franco Fraticelli
Music by	Piero Piccioni
Distributed by	Medusa Distribuzione
Release date	19 December 1974 (1974-12-19)
Running time	114 minutes[1]
Country	Italy
Language	Italian
Box office	$6 million (US and Canada)[2] or $1,750,000[3]

Swept Away... by an Unusual Destiny in the Blue Sea of August (Italian: Travolti da un insolito destino nell'azzurro mare d'agosto),^[4] usually shortened to Swept Away_, is a 1974 Italian romantic adventure comedy drama written and directed by Lina Wertmüller, starring Giancarlo Giannini and Mariangela Melato. The film follows a wealthy woman whose yachting vacation with friends in the Mediterranean Sea takes an unexpected turn when she and one of the boat's crew are separated from the others and stranded on a desert island. The woman's capitalist beliefs and the man's communist convictions clash, but during their struggle to survive, their social roles are reversed.

Swept Away was released to divided, but largely positive, reviews, and won the 1975 National Board of Review of Motion Pictures Award for Top Foreign Film. A critically and commercially unsuccessful English-language remake starring Madonna and directed by her then-husband Guy Ritchie was released in 2002.

Actor	Role
Giancarlo Giannini	Gennarino Carunchio
Mariangela Melato	Raffaella Pavone Lanzetti
Isa Danieli	Anna Carunchio
Riccardo Salvino	Signor Pavone Lanzetti
Aldo Puglisi	Aldo
Eros Pagni	Pippo

An arrogant wealthy woman named Raffaella Pavone Lanzetti is vacationing on a yacht in the Mediterranean Sea with friends—swimming, sunbathing, and talking incessantly about the "virtues" of her class and the worthlessness of the political left. Her nonstop political monologue infuriates one of the deckhands, Gennarino, a dedicated communist who manages to restrain his opinions to avoid losing his good job. Despite her humiliating insults, Gennarino agrees to take her out on a dinghy late in the evening to see the rest of her friends who have gone ahead without her. On their way, the outboard motor gives out, leaving them stranded in the middle of the sea with no land in sight.

After a night at sea, Gennarino manages to get the motor running again, but has no idea where they are. Eventually they spot an island and head toward it, destroying their dinghy in the process. On land, they discover that there is no one else on the island. Accustomed to having everything done for her, Raffaella begins ordering Gennarino about, but he snaps, refusing to assist her any longer. Raffaella reacts with a string of insults, but he gives as good as he gets, and they split up to explore the island on their own.

Gennarino is soon catching and cooking lobsters. Gradually their roles become reversed. While she has to rely on him for food, Gennarino wants her to be his slave, convinced that women are born to serve men. He even forces her to endure the indignity of washing his underwear. When she reacts in angry defiance, he slaps her around. Gennarino starts to rape her, but then changes his mind, deciding that it would be more satisfying if she gave herself to him willingly. Later that evening, Raffaella does approach him, and both willingly engage in passionate sex. He wants her to fall in love with him, and she becomes subservient to him. Eventually they spot a ship, and although they are both reluctant to disrupt their newfound paradise, they signal the ship and are rescued.

After returning home, they soon revert to their former lives and social roles—she once again embracing the upper-class lifestyle of her friends; he returning to a life of a lower-class worker and husband. Gennarino contacts Raffaella in secret and asks her to return to the island with him where they can live, promising to abandon and wife and children for her should she also leave her husband. Raffaella instead chooses to leave with her husband by helicopter, leaving Gennarino to scream insults at the vehicle as he is left alone on the dock. Gennarino's wife Anna discovers his affair, and spitefully tells him their marriage is over. The film ends as a defeated and saddened Gennarino carries his wife's luggage along the dock, trailing behind her.

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The film was shot along the eastern Sardinian coast, in the province of Nuoro; the sailing yacht that can be seen at the beginning of the movie is the J-class yacht Shamrock V, which at the time of production was named Quadrifoglio.^[5] The beach of the landing of the two shipwrecks is Cala Fuili, in the municipality of Dorgali. The beach of Cala Luna, on horseback between the municipality of Dorgali and Baunei, was another location used for filming. The Carunchio refuge and the most sensual scenes were shot in the dunes of Capo Comino, a town in the municipality of Siniscola.

Although in the film it seems that the shipwrecks travel a single beach, in reality these beaches are several kilometers apart. The final scene of the helicopter departure is set in Tortolì, in Ogliastra, also in the province of Nuoro. The same locations were also chosen for Guy Ritchie's remake of the film.

Swept Away was released by Medusa Films on 19 December 1974.^[6]

Swept Away was the fifth highest-grossing film released in Italy during the 1974-1975 season.^[6]

In his review in the Chicago Sun-Times, American film critic Roger Ebert gave the film four stars, his highest rating. Ebert wrote that the film "resists the director's most determined attempts to make it a fable about the bourgeoisie and the proletariat, and persists in being about a man and a woman. On that level, it's a great success."^[4]

Other reviewers and analysts responded that those who focused on the misogyny simply didn't understand the film's message about class warfare. James Berardinelli defended the film, writing "Those who view this film casually may easily mistake it for a male fantasy... The reality, however, is that Wertmuller is exhibiting the courage to show things that other filmmakers shy away from."^[7] John P. Lovell wrote "The sexual violence can be analyzed as political violence within the framework of patriarchal politics and the film's concern with a symbolic presentation of social revolt."^[8]

In her review in Jump Cut, Tania Modleski dismissed those justifications, contending that critics would not have been so kind to those who made films which reinforced stereotypes—culminating in violent subjugation—about oppressed ethnic groups, so there was no justification for critics to praise a rape-fantasy film. Responding to the film's message about class warfare, she wrote "So even if Wertmuller wanted to convey only a political message, she has clouded rather than clarified the issues. She should have made both parties male."^[9]

On the review aggregator website Rotten Tomatoes, 60% of 25 critics' reviews are positive, with an average rating of 7.6/10.^[10] Metacritic, which uses a weighted average, assigned the film a score of 68 out of 100, based on 7 critics, indicating "generally favorable" reviews.^[11]

Award	Category	Year	Nominee	Result
David di Donatello	Best Music	1975	Piero Piccioni	Won
National Board of Review Award	Top Five Foreign Films[12]	1975	Swept Away	Won
New York Film Critics Circle Award	Best Film	1975		Nominated
	Best Director		Lina Wertmüller	Nominated
	Best Screenplay			Nominated
Tehran International Film Festival	Best Film	1975		Won
	Best Actress		Mariangela Melato	Won

The film was remade in 2002 as Swept Away, starring Madonna and directed by her then-husband Guy Ritchie. The film was a critical and commercial failure. The male lead was played by Adriano Giannini, the son of Giancarlo Giannini, because the elder Giannini was too old to reprise the role.

• The Admirable Crichton
• Overboard
• Liza

Notes

Citations

Bibliography

• Swept Away at IMDb
• Swept Away at Rotten Tomatoes