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Thaat | [[h e5vytnguiv4h5ylodrijfgi59wgtfuseljwfht4in3veugrfv Khamaj (thaat)|Khamaj]][1] |
---|---|
Type | Audava-Audava[1] |
Time of day | 2nd Prahar of the night[1] |
Arohana | S G M P N Ṡ[1] |
Avarohana | S Ṉ P M G S[1] |
Vadi | G[1] |
Samavadi | N[1] |
Similar | Jog |
Tilang is a raga in Indian classical music, that belongs to the Khamaj Thaat.[2][1][3]
This raga has a Ni flat (ni komal) in the descent.[2][1]
Its defining characteristics are: PS'NS'nP, PS'NS'PnP; some ragis add a R (S*R*NS*PnP).
This raga originated in Hindustani classical music and has been taken into Carnatic music.[4] It is derived from the 28th Melakarta (parent scale) Harikambhoji.[4] It is an audava-audava raga (pentatonic asymmetrical scale) with the following structure.[5]
Shree Ganesha charanam composed by Papanasam Sivan is a popular composition set in this ragam.[4]
Ramakrishnaru Manege, Tarakka Bindige By Purandara Dasa Satyavantara Sangaviralu By Kanaka Dasa
Song | Movie | Composer | Singers |
---|---|---|---|
Gori Gori Gaon Ki Gori Re | Yeh Gulistan Hamara | S. D. Burman | Lata Mangeshkar & Kishore Kumar |
Kaise Kahen Ham | Sharmeelee | S. D. Burman | Kishore Kumar |
Meri Kahani Bhulnevale Tera Jahan Abad Rahe | Deedar (1951 film) | Naushad | Mohammad Rafi |
Yahi Arman Lekar Aaj Apne Ghar Se Ham Nukale | Shabaab (film) | Naushad | Mohammad Rafi |
Sajna Sang Kahe Neha Lagae | Main Nashe Mein Hoon | Shankar–Jaikishan | Lata Mangeshkar |
Lagan Tose Lagi Balma | Dekh Kabira Roya | Madan Mohan (composer) | Lata Mangeshkar |
Chota Sa Baalama Ankhiyan Neend Udaye Le Gayo | Raagini(film 1958) | O. P. Nayyar | Asha Bhosle |
Mein Apne Aap Se Ghabra Gaya Hoon | Bindya | Iqbal Qureshi | Mohammad Rafi |
Chota Sa Baalama Ankhiyan Neend Udaye Le Gayo | Mehboob Ki Mehndi | Laxmikant–Pyarelal | Lata Mangeshkar & Mohammad Rafi |
Song | Movie | Composer | Singers |
---|---|---|---|
Neela Kandhara | Bhookailas (1958 film) | R. Sudarsanam & R. Govardhanam | Ghantasala (musician) |
Jaya Jaya Jaya Sharada Jaya Kalabhi Sharada | Mahakavi Kalidasu | Pendyala (composer) | P. Susheela |
Naa Chandamama | Pandava Vanavasam | Ghantasala (musician) | Ghantasala (musician) & P. Susheela |
Niluvumaa Niluvumaa | Amarasilpi Jakkanna | S. Rajeswara Rao | Ghantasala (musician) & P. Susheela |
Manasaa, Kavvinchake | Pandanti Kapuram | S. P. Kodandapani | P. Susheela |
Jaamu Gadichenu Jabili Vodigenu | Mogudu-Pellalu(1985 film) | Ramesh Naidu | S. P. Balasubrahmanyam & P. Susheela |
Naalo Ninne Choodanaa | Vichitra Vivaham(1973 film) | Satyam (composer) | P. Bhanumathi |
Naa Sneham Pandi Premai Nindina Cheliya Ravela | Babu (1975 film) | K. Chakravarthy | S. P. Balasubrahmanyam |
Hence, Tilang has arohana of Gambhiranata, and avarohana of Savitri.[2]