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Victor J. Kemper | |
---|---|
Born | Victor Jay Kemper April 14, 1927 Newark, New Jersey, U.S. |
Died | November 27, 2023 Los Angeles, California, U.S. | (aged 96)
Occupation | Cinematographer |
Years active | 1967–2006 |
Notable work | Dog Day Afternoon Slap Shot The Jerk Clue Pee-wee's Big Adventure |
Spouse |
Claire Kellerman (m. 1953) |
Children | 2 |
President of the American Society of Cinematographers | |
In office 1993–1996 | |
Preceded by | William A. Fraker |
Succeeded by | Owen Roizman |
In office 1999–2001 | |
Preceded by | Woody Omens |
Succeeded by | Steven B. Poster |
Victor Jay Kemper (April 14, 1927 – November 27, 2023)[1] was an American cinematographer.
Victor Jay Kemper was born in Newark, New Jersey, on April 14, 1927, as the son of Florence (née Freedman) and Louis Kemper.[2] He was a graduate of Seton Hall University.
As a cinematographer, Kemper collaborated extensively with director Arthur Hiller. Kemper worked with the leading directors of the 1970s including John Cassavetes, Sidney Lumet, Anthony Harvey, Michael Ritchie, Ulu Grosbard, Peter Yates, Karel Reisz, Elaine May, J. Lee Thompson, Elia Kazan, George Roy Hill, Robert Wise, Carl Reiner, Bob Rafelson, Irvin Kershner, Richard Attenborough, and Norman Jewison.
Kemper was a member of the American Society of Cinematographers (ASC), and was its president twice, from 1993 to 1996, and from 1999 to 2001.
Kemper died in Sherman Oaks, Los Angeles, on November 27, 2023, at the age of 96.[3]
Director of photography
Camera and electrical department
Year | Film | Director | Role | Notes |
---|---|---|---|---|
1967 | The Tiger Makes Out | Arthur Hiller | Camera operator | First collaboration with Arthur Hiller |
1969 | Alice's Restaurant | Arthur Penn | ||
1985 | European Vacation | Amy Heckerling | Director of photography: USA |
Year | Film | Director | Notes |
---|---|---|---|
2005 | American Pie Presents: Band Camp | Steve Rash | Second collaboration with Steve Rash |
2006 | Bring It On: All or Nothing | Third collaboration with Steve Rash |
Thanks
Year | Film | Director | Role |
---|---|---|---|
1992 | Visions of Light |
|
Special thanks: AFI |
2004 | Edgar G. Ulmer: The Man Off-Screen | Michael Palm | Thanks |
Year | Film | Director |
---|---|---|
1977 | The Prince of Central Park | Harvey Hart |
1985 | The Atlanta Child Murders | John Erman |
1987 | Kojak: The Price of Justice | Alan Metzger |
1999 | Too Rich: The Secret Life of Doris Duke | John Erman |
2001 | On Golden Pond |
Year | Title | Notes |
---|---|---|
1985 | The Atlanta Child Murders | 2 episodes |
1999 | Too Rich: The Secret Life of Doris Duke | 4 episodes |
Institution | Year | Category | Work | Result |
---|---|---|---|---|
Primetime Emmy Awards | 1987 | Outstanding Cinematography for a Miniseries or a Special | Kojak: The Price of Justice | Nominated |
American Society of Cinematographers | 1988 | Outstanding Achievement in Cinematography in Mini-Series or Specials | Nominated | |
1998 | Lifetime Achievement Award | — | Won |