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West Meets East, Volume 2 | ||||
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Studio album by | ||||
Released | 15 July 1968 | |||
Recorded | 1967–68 Angel Records, New York City | |||
Genre | Indian classical | |||
Length | 1:03:34 | |||
Label | HMV, Angel | |||
Yehudi Menuhin and Ravi Shankar chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
West Meets East, Volume 2 is an album by American violinist Yehudi Menuhin and Indian sitar virtuoso Ravi Shankar, released in 1968. It is the second album in a trilogy of collaborations between the two artists,[2] after the Grammy Award-winning West Meets East (1967).[3]
The release followed Menuhin and Shankar's duet on 10 December 1967 at the United Nations in New York, celebrating the twentieth anniversary of the Universal Declaration of Human Rights.[4] As part of his utopian ideal,[5] international human rights was a cause long supported by Menuhin in his work,[6] while for Indian classical music, this Human Rights Day recital marked the first time that a performance had received a worldwide television broadcast.[7]
Reflecting the celebrity status afforded the sitarist during this period, particularly as a result of his association with George Harrison of the Beatles,[8][9] Shankar's activities were filmed for a documentary on his life, released as Raga in 1971,[10] and his autobiography My Music, My Life (1968) became a bestseller.[11] Although West Meets East, Volume 2 was another popular success for Menuhin and Shankar,[12] their work together drew further criticism from purists in India,[13] who considered that Shankar was westernising and thus diluting Indian classical music.[14]
The follow-up to West Meets East was announced in February 1968, when Billboard magazine reported that Menuhin and Shankar had been recording new material together at Angel Records' New York studios.[15] While their first album continued to top that magazine's Best Selling Classical LP's listings,[16] Shankar had also achieved mainstream success with the recently released Live: Ravi Shankar at the Monterey International Pop Festival, which peaked at number 43 on the Billboard Top LP's chart – the highest US chart placing he would achieve throughout his career.[17] Angel released the new Menuhin–Shankar set on 15 July that year.[18] The album peaked at number 3 on the Classical LP's listings.[19]
West Meets East, Volume 2 contains a version of the piece played at the United Nations, an interpretation of Raga Piloo.[2] According to Shankar's comments in a March 1968 issue of Rolling Stone magazine, they recorded this selection "just a few days ago".[20] As at the recital,[21] Menuhin and Shankar were accompanied by Alla Rakha on tabla and Kamala Chakravarty, Shankar's female companion,[22] on tambura.[23] The second piece is "Raga Ananda Bhairava", performed by Shankar with his regular accompanist and instrument-maker, Nodu Mullick,[24] on tambura, and Rakha again on tabla.[23]
Side two in the original LP format consists of Menuhin and his sister Hephzibah performing Bartók's Sonata No. 1 for Violin and Piano.[23]
All selections by Ravi Shankar except where noted.
Side one
Side two