Fragments containing parts of this chapter were found among the Dead Sea Scrolls, that is, 4Q80 (4QXIIe; 75–50 BCE) with extant verses 8–11.[9][10][11][12]
These verses contain the sixth vision. The shortest of the visionary accounts recalls a flying scroll, which biblical scholar Katrina Larkin calls "the word of the Lord in materialized form".[5] The prophet Ezekiel also has a vision of a scroll: in his case, the prophet is commanded to eat the scroll. The scroll is an instrument of judgment used against those who break the commandments, those who steal and those who swear falsely. Larkin explains that "the invocation of the covenant curse shows that the covenant does remain in force despite having once been broken".[5]
The seventh of the eight visions uncovers a woman in a basket (Hebrew: 'epa), who symbolises the iniquity of the people (Hebrew 'eye'), and then another two women "with the wind in their wings".[14] A feminine idol (to be stood 'on its base' in a 'house' or temple) is to be symbolically exiled to Babylon while Judaism becomes fully a YHWH-alone religion.[5]
The German commentators Carl Friedrich Keil and Franz Delitzsch argue that the sixth and the seventh visions are parts of a single vision,[15] and therefore they only enumerate seven visions in all.[16]
And, behold, there was lifted up a talent of lead:
and this is a woman that sitteth in the midst of the ephah.[17]
"Talent" (Hebrew:kikkar): may denote a 'circle' as in Genesis 13:10, 12 for an area where the Jordan was the center, or in 1 Samuel 2:36 for 'a round loaf', but here it refers to a 'disc or circular plate' forming the cover of the round shaped ephah. In the next verse it is called, "the weight of lead."[18]
"A talent of lead": A kikkar (or cicar), or "talent of silver" in the Jewish tradition was equal to 3,000 shekels (Exodus 38:24 and weighed between 120[19] and 125 pounds.[20][b] Since the Hebrew word "cicar" signifies something 'plain', and 'extended like a cake', as Arias Montanus observes,[23] it may here refer to a plate of lead, which was laid over the mouth of the "ephah", as a lid unto it; though indeed it is afterwards called, "a stone of lead", and so seems to design a weight.[24]
"This is a woman" - Literally, "one woman", who personified 'all sins' or 'wickedness' (cf. Proverbs 2:16; 5:3, 4).[25] The sitting may represent her abiding tranquil condition in her sins, according to the climax in Psalm 1:1-6, "and hath not sat in the seat of the scornful" (Psalm 1:1); and, "thou sittest and speakest against thy brother" (Psalm 50:20).[26]
10 Then I said to the angel who talked with me, "Where are they taking the basket?" 11 He said to me, “To the land of Shinar, to build a house for it. And when this is prepared, they will set the basket down there on its base." [27]
The two women "with the wind in their wings" will take the basket and the woman within in it to Babylon (here rendered as Shinar), where a temple dedicated to wickedness is to be constructed. In doing so, Jerusalem will be rid of wickedness.[28]
^The Aleppo Codex (930) now only contains Zechariah 9:17b–14:21.[9]
^Other measurements from the neighboring area: a Babylonian talent weighed 72 Attic pounds; and an Attic mina, or pound, weighed 100 drachmas, so one talent weighed 7,200 drachmas, according to Aelianus.[21] An Alexandrian talent was equal to 12,000 Attic drachmas, which was the same as 125 Roman libras or pounds, supposedly the same with that of Moses. The Roman talent contained 72 Italic minas, which were the same as the Roman libras.[22]
^Exell, Joseph S.; Spence-Jones, Henry Donald Maurice (Editors). On "Zechariah 5". In: The Pulpit Commentary. 23 volumes. First publication: 1890. Accessed 24 April 2019.
Boda, Mark J. (2016). Harrison, R. K.; Hubbard, Jr, Robert L. (eds.). The Book of Zechariah. New International Commentary on the Old Testament. Wm. B. Eerdmans Publishing. ISBN978-0802823755.