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The four operas of Richard Wagner's cycle Der Ring des Nibelungen together take about 15 hours, which makes for several records, tapes, or CDs, and much studio time. For this reason, many full Ring recordings are the result of "unofficial" recording of live performances, particularly from the Bayreuth Festival where new productions are often broadcast by German radio. Live recordings, especially those in monaural, may have very variable sound but often preserve the excitement of a performance better than a studio recording.
The following lists some well-known recordings of the complete Ring Cycle:
Year | Conductor | Orchestra | Label | Stereo/Mono | Live/Studio |
---|---|---|---|---|---|
1949 | Rudolf Moralt | Vienna Symphony Orchestra | Myto | Mono | Studio (radio broadcast) |
1950 | Wilhelm Furtwängler | Teatro alla Scala Orchestra | Music & Arts, Opera D'Oro, Gebhardt, Archipel |
Mono | Live |
1953 | Wilhelm Furtwängler | Orchestra Sinfonica e Coro della RAI | EMI Classics, Gebhardt | Mono | Studio (radio broadcast) |
Clemens Krauss | Bayreuth Festival Orchestra | Gala, Archipel, Opera D'Oro, Orfeo |
Mono | Live | |
1952–1953, 1955 |
Joseph Keilberth | Bayreuth Festival Orchestra | Testament | Stereo (1955 only) |
Live |
1956–1958 | Hans Knappertsbusch | Bayreuth Festival Orchestra | Music & Arts, Melodram, Orfeo |
Mono | Live |
1957 | Rudolf Kempe | Royal Opera House Orchestra | Testament | Mono | Live |
1958–1965 | Georg Solti | Vienna Philharmonic Orchestra | Decca Records, PolyGram |
Stereo | Studio |
1961 | Rudolf Kempe | Bayreuth Festival Orchestra | Orfeo | Mono | Live |
1966–1970 | Herbert von Karajan | Berlin Philharmonic Orchestra | Deutsche Grammophon, PolyGram |
Stereo | Studio |
1966–1967 | Karl Böhm | Bayreuth Festival Orchestra | Philips | Stereo | Live |
1968 | Hans Swarowsky | Großes Symphonieorchester | Denon Essentials | Stereo | Studio |
Wolfgang Sawallisch | Orchestra Sinfonica e Coro della RAI | Myto | Stereo | Studio (radio broadcast) | |
1974–1978 | Reginald Goodall | English National Opera Orchestra | EMI Classics, Chandos |
Stereo | Live (sung in English) |
1979–1980 | Pierre Boulez | Bayreuth Festival Orchestra | Philips, Deutsche Grammophon, PolyGram |
Stereo | Live |
1980–1983 | Marek Janowski | Staatskapelle Dresden Orchestra | Eurodisc, BMG | Stereo | Studio |
1987–1989 | James Levine | Metropolitan Opera Orchestra | Deutsche Grammophon | Stereo | Studio |
1988–1991 | Bernard Haitink | Bavarian Radio Symphony Orchestra | EMI Classics | Stereo | Studio |
1989 | Wolfgang Sawallisch | Bavarian State Opera Orchestra | EMI Classics | Stereo | Live |
1991–1992 | Daniel Barenboim | Bayreuth Festival Orchestra | Warner Classics | Stereo | Live |
1993–1995 | Günter Neuhold | Badische Staatskapelle Orchestra | Brilliant Classics, Bella Musica, Documents |
Stereo | Live |
1997-1999 | Roberto Paternostro | Staatstheater Kassel | Ars Produktion | Stereo | Live |
1998–2001 | Gustav Kuhn | Tyrol Festival Orchestra | Arte Nova | Stereo | Live |
2005 | Hartmut Haenchen | Netherlands Philharmonic Orchestra | Etcetera | Multichannel Stereo | Live |
2006–2007 | Asher Fisch | Adelaide Symphony Orchestra | Melba Recordings | Multichannel Stereo | Live |
2006–2007 | Lothar Zagrosek | Staatsorchester Stuttgart | Naxos | Stereo | Live |
2008 | Christian Thielemann | Bayreuth Festival Orchestra | BBC Opus Arte | Stereo | Live |
2011 | Christian Thielemann | Wiener Staatsoper | Deutsche Grammpohon | Stereo | Live |
2008–2010 | Simone Young | Philharmoniker Hamburg | Oehms Classics | Stereo | Live |
2010–2012 | Sebastian Weigle | Frankfurt Opera Orchestra | Oehms Classics | Stereo | Live |
2012–2013 | Marek Janowski | Berlin Radio Symphony Orchestra | PENTATONE (PTC 5186581) |
Multichannel Stereo | Live concert |
2015-2018 | Jaap van Zweden | Hong Kong Philharmonic Orchestra | Naxos | Stereo | Live concert |
The recording conducted by Georg Solti was the first stereo studio recording of the complete cycle. In a poll on the BBC Radio 3's long-running radio programme CD Review, this set was voted as the greatest recording of the 20th century.[1] Although Solti's was the first studio stereo recording, the cycle had previously been recorded live in stereo by Decca engineers at the Bayreuth Festival in 1955 under the baton of Joseph Keilberth. Although unavailable for over 50 years, this cycle was finally released in 2006 on CD and vinyl by Testament.
Gramophone, for example, lists the Solti recording as its recommendation on its website.[2] However, when their long-time Wagner critic Alan Blyth reviewed recordings of the Ring for the feature "Building a Library" on the BBC's CD Review (then Stereo Review) in 1986, he favoured the Böhm and Furtwängler/RAI recordings. When John Deathridge carried out a follow-up review for the programme in 1992, he favoured parts of the Goodall, Haitink and Boulez cycles for individual operas and Levine overall.[3]
The Ring Cycle is also available in a number of video or DVD presentations. These include:
The Boulez, Barenboim, Zagrosek, and Haenchen performances are also available as audio recordings.