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Ashish Gupta (born Delhi, 1973), known through his eponymous brand ASHISH, is an Indian-born and London-based fashion designer. His designs deploy hand-stitched beading and sequins in a rainbow palette to reimagine common patterns and motifs, including tie dye, camouflage, and crochet.
Born in Delhi, India, Ashish Gupta is the son of two doctors.[1] As a young adult, Gupta studied art and advertising in India.[2] He moved from Delhi to the UK, first earning a bachelor's degree from Middlesex University[3] and then continuing his studies at Central Saint Martins in 1996.[4] There, he received mentorship from course director Louise Wilson and graduated with a master's degree in 2000.
In 2001, after a friend wore one of his designs into Browns Focus boutique in London, buyer Yeda Yun contacted Gupta and became his first buyer.[5] That year, Gupta founded his eponymous label, which presented its first runway show at London Fashion Week in 2005.
Today his design studio is based in the Hackney neighborhood of East London. He divides his time between the London studio and his workshop in Delhi, India, where he works with a team of 40-50 artisans who make garments by hand.[6]
Early in his career, Gupta avoided being stereotyped as an Indian designer, but later he drew inspiration from South Asian and Indian culture by featuring Rajasthani mirror-work or shisha, traditional block printing, Bandhani-style tie dye, and woven khadi.[5] For his Spring 2017 collection, he incorporated elements of Indian traditional dress like saris and lungis and alongside t-shirts and tracksuits,[7] a decision he described by saying, "I wanted to celebrate Indian culture, because it is also such an integral part of British culture."[8]
Gupta comments on gender and sexuality in his designs. For the Spring 2016 womenswear runway show, he engaged in gender fluid casting, including two male models who high heels and a peach-toned dress with surface design referring to a naked body.[9] His sequin-covered designs include garments typically coded masculine, including a lumberjack shirt with a plaid rendered in sequins from 2010 and cargo pants and high-visibility construction vests from Fall 2013.
Gupta won the British Fashion Council NewGen award three times.[10]
For the label's tenth anniversary, Gupta mounted a runway show at the Victoria and Albert Museum on 23 October 2015, which was featured as part of the museum's Fashion in Motion Series.[11][12]
The spring 2019 exhibition "Camp: Notes on Fashion" at the Metropolitan Museum of Art featured two of Gupta's designs.[13] The sequined ensembles included shirts with graphic lettering, one reading "You are much lovelier than you think," and the other "Fall in love and be more tender." The latter was a nod to Susan Sontag's 1964 essay, which also inspired the exhibition.
In 2023, the William Morris Gallery presented the first major survey of Gupta's work, an exhibition titled "Ashish: Fall in Love and Be More Tender."[4]
His designs are also included in the permanent collection of the Texas Fashion Collection, which featured his work in the 2021 exhibition "Delight" and a two-part exhibition "Labor of Luxury" in 2024.[14]
A slew of celebrities have worn Gupta's designs, including: Beyonce, Debbie Harry, Hunter Schafer, Rhianna, Charlie XCX, Miley Cyrus, Sarah Jessica Parker, Katy Perry, Madonna, Victoria Beckham, Lily Allen, MIA, Patrick Wolff, Kelly Osborne, and Jerry Hall.[15] He also designed outfits for Taylor Swift for the "Red" section of the musician's international Eras Tour in 2024.[16]
In a 2023 interview, Gupta stated, "Equality has always been part of the world I was imagining."[5] Many of his designs feature rainbow palettes, a nod to the Pride flag. Other statement shirt phrases included "Love sees no colour," "Unity in adversity," "More glitter less Twitter," and "Proud," among others.[5]
For his Fall 2017 collection "The Yellow Brick Road," the designer drew inspiration both from the 1939 film The Wizard of Oz and an interpretation of the film created by Indian-born author Salman Rushdie, who uses the story to explore ideas of migration and concepts of home.[17] The collection included a t-shirt with the word "Immigrant" on the front, a design informed by the increasing anti-immigrant policies of the British Home Office and that year's Brexit political events.[18]
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