Bust of Beethoven by Hugo Hagen , 1892, Library of Congress , Washington, D.C.
The German composer Ludwig van Beethoven (1770–1827) is among the most admired composers in the history of Western music,[ 1] and has been the subject of many private and public sculptures, including busts , reliefs , statues and others. The first, a bust by Franz Klein , was commissioned by Johann Andreas Streicher and created in 1812, while the composer was still alive.[ 2] After Beethoven's death in 1827 , his hometown, Bonn , immediately began planning a monument for the following year,[ 3] though a cholera outbreak delayed this. A design competition was eventually held, in which a submission by Ernst Julius Hähnel beat ones from Friedrich von Amerling , Gustav Blaeser and Friedrich Drake . In 1845, Hähnel's monument was erected, due to finances given by Robert Schumann , Charles Hallé , George Thomas Smart and especially Franz Liszt .[ 3] [ 5] While the monument's height and simplicity were criticized, the reliefs surrounding the base were met with public approval.[ 5] The statue's representation of a figure standing on a decorated base with its legs slightly apart was popular at the time, and later inspired Theodore Baur's statue of c. 1895 in the Library of Congress .[ 6]
The Beethoven monuments that followed Hähnel's, while retaining a high pedestal,[ 7] began to portray the composer in a less simplistic and increasingly heroic light.[ 8] The most significant representative of this, and the most famous Beethoven monument from the second half of the 19th century, was Kaspar von Zumbusch 's 1880 monument in Beethovenplatz [de ] , Vienna.[ 9] The city had intended to erect a monument for Beethoven since his death,[ 3] but serious action to do so began only in the 1870s, when a competition for a design was held and Zumbusch's winning design was created with financial support from Liszt and Brahms .[ 10]
In the early 20th century, the glorified portrayals of Beethoven reached their peak, with god-like representations such as Max Klinger 's monument (1902) , unveiled at the Vienna Secession [ 11] (now in the Museum der bildenden Künste ),[ 12] and Fidus 's unexecuted design for a 'Beethoven temple' (1903) .[ 13] The 20th century also saw a brief return to the simplistic style of the 19th century, such as Robert Weigl's statue at the Heiligenstädter Park [de ] in Vienna (1910) and Hugo Uher's [cs ] statue in Karlsbad (1929).[ 14] Also at this time, Antoine Bourdelle and Naoum Aronson , both students of Auguste Rodin , began creating busts of the composer; Bourdelle was especially prolific .[ 15] As the century progressed, ideas on depicting Beethoven became largely ununified, and were often especially allegorical , such as Theodor von Gosen 's monument in Alameda Central , Mexico City (1921).[ 16] In 1926, Berlin hosted a monument competition in preparation for the composer's 100th anniversary the following year; the entire competition was controversial and was eventually canceled due to criticism from the press and the committee's inability to form a consensus.[ 17] There had been submissions from famous sculptors including Ernst Barlach , Peter Breuer and Georg Kolbe , although Breuer and Kolbe eventually had their designs constructed in 1938 and 1948 respectively.[ 17] After World War II, experimentation in portraying Beethoven increased even further, exemplified by Klaus Kammerichs's [de ] three-dimensional reproduction (1986) of Joseph Karl Stieler 's painted portrait and Markus Lüpertz 's controversial abstract portrayal (2014) .[ 18] [ 19]
There is a large collection of busts in the Beethoven House , a museum and cultural institution based in Bonn that studies Beethoven's life and legacy, including ones by an unknown artist based on a sculpture by Josef Danhauser (c. 1890 );[ 20] Fernando Cian (first quarter of the 20th century);[ 21] Pierre Félix Masseau (1902);[ 22] Aronson (1905);[ 15] a mask supposedly by Wilhelm Hüsgen [de ] (1920–1927);[ 23] Eduard Merz (1945/46);[ 24] Lewon Konstantinowitsch Lasarew [de ] (1981);[ 25] and Cantemir Riscutia (1998).[ 26]
Bourdelle's sculptures[ edit ]
The French sculptor Antoine Bourdelle (1861–1929) greatly admired Beethoven, of whom he created at least 45 sculptures from 1893 to the end of his life.[ 90] [ f]
Unexecuted sculptures [ edit ]
^ For public monuments the approximate date the work was unveiled is given if available; for other works the approximate time of creation is given.
^ The bust was stolen in 1970; only fragments remain.[ 50]
^ The portrait bust is based on a sculpture by Fernando Cian and is presumed to have been executed by Cian himself.[ 21]
^ Wilhelm Hüsgen [de ] is the presumed creator of the mask.
^ Installed to honor William Andrews Clark Jr. , founder of the Los Angeles Philharmonic [ 71]
^ So as not to overwhelm the list with sculptures by Bourdelle, the sculptures have been put in a separate section and limited.
General
Specific
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Life Music Memorials Depictions Family Related